Stagecoach (1939)

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  • STAGECOACH


    DIRECTED BY JOHN FORD
    PRODUCED BY JOHN FORD/ WALTER WANGER
    UNITED ARTISTS



    Photo with courtesy of lasbugas


    INFORMATION FROM IMDb


    Plot Summary
    A simple stagecoach trip is complicated by the fact that Geronimo
    is on the warpath in the area.
    The passengers on the coach include a a drunken doctor, a pregnant woman,
    a bank manager who has taken off with his client's money, and the famous Ringo Kid,


    Full Cast
    Claire Trevor .... Dallas
    John Wayne .... The Ringo Kid
    Andy Devine .... Buck
    John Carradine .... Hatfield
    Thomas Mitchell .... Doc Boone
    Louise Platt .... Lucy Mallory
    George Bancroft .... Marshal Curly Wilcox
    Donald Meek .... Samuel Peacock
    Berton Churchill .... Henry Gatewood
    Tim Holt .... Lt. Blanchard
    Tom Tyler .... Luke Plummer
    Dorothy Appleby .... Girl in saloon (uncredited)
    Frank Baker .... (uncredited)
    Chief John Big Tree .... Indian scout (uncredited)
    Ted Billings .... Bit part (uncredited)
    Wiggie Blowne .... Bit part (uncredited)
    Danny Borzage .... (uncredited)
    Edward Brady .... Lordsburg saloon owner (uncredited)
    Fritzi Brunette .... Bit part (uncredited)
    Yakima Canutt .... Cavalry scout (uncredited)
    Nora Cecil .... Boone's landlady (uncredited)
    Steve Clemente .... Bit (uncredited)
    Bill Cody .... Rancher (uncredited)
    Jack Curtis .... Bartender (uncredited)
    Marga Ann Deighton .... Mrs. Pickett (uncredited)
    Patsy Doyle .... Bit part (uncredited)
    Tex Driscoll .... Bit part (uncredited)
    Franklyn Farnum .... Deputy Frank (uncredited)
    Francis Ford .... Billy Pickett (uncredited)
    Brenda Fowler .... Mrs. Gatewood (uncredited)
    Helen Gibson .... Girl in saloon (uncredited)
    Robert Homans .... Ed (editor) (uncredited)
    William Hopper .... Sergeant (uncredited)
    Si Jenks .... Bartender (uncredited)
    Cornelius Keefe .... Capt. Whitney (uncredited)
    Florence Lake .... Nancy Whitney (uncredited)
    Duke R. Lee .... Lordsburg sheriff (uncredited)
    Theodore Lorch .... Lordsburg express agent (uncredited)
    Chris-Pin Martin .... Chris (uncredited)
    Jim Mason .... Jim (Tonto express agent) (uncredited)
    Louis Mason .... Tonto sheriff (uncredited)
    Merrill McCormick .... Ogler (uncredited)
    J.P. McGowan .... (uncredited)
    Walter McGrail .... Capt. Sickel (uncredited)
    Paul McVey .... Pony Express agent (uncredited)
    Kent Odell .... Billy Pickett Jr (uncredited)
    Artie Ortego .... Lordsburg bar patron (uncredited)
    Vester Pegg .... Hank Plummer (uncredited)
    Jack Pennick .... Jerry (bartender) (uncredited)
    Joe Rickson .... Ike Plummer (uncredited)
    Elvira Ríos .... Yakima (uncredited)
    Buddy Roosevelt .... Rancher (uncredited)
    Chuck Stubbs .... (uncredited)
    Harry Tenbrook .... Telegraph operator (uncredited)
    Mary Kathleen Walker .... Lucy's infant (uncredited)
    Bryant Washburn .... Capt. Simmons (uncredited)
    Whitehorse .... Indian chief (uncredited)
    Hank Worden ... Cavalryman Extra (uncredited)


    Writing Credits
    Ernest Haycox (story Stage to Lordsburg)
    Dudley Nichols
    Ben Hecht uncredited


    Original Music
    Gerard Carbonara (uncredited)


    Cinematography
    Bert Glennon


    Stunts
    Yakima Canutt .... stunt coordinator (uncredited)
    Ken Cooper .... stunts (uncredited)
    Johnny Eckert .... stunts (uncredited)
    Jack Mohr .... stunts (uncredited)
    David Sharpe .... stunts (uncredited)
    Henry Wills .... stunts (uncredited)
    Billy Yellow .... stunt rigger (uncredited)


    Trivia
    Asked why, in the climactic chase scene, the Indians didn't simply shoot the horses to stop the stagecoach, director John Ford replied, "Because that would have been the end of the movie."


    This was the first of many films that John Ford filmed in Monument Valley, Arizona. Others were: My Darling Clementine (1946), Fort Apache (1948), She Wore a Yellow Ribbon (1949), Wagon Master (1950), Rio Grande (1950), The Searchers (1956), Sergeant Rutledge (1960) and his last western, Cheyenne Autumn (1964).


    The first of many collaborations between John Ford and John Wayne.


    When the film was being cast, John Ford lobbied hard for John Wayne but producer Walter Wanger kept saying no. It was only after constant persistence on Ford's part that Wanger finally gave in. Wanger's reservations were based on Wayne's string of B-movies, in which he came across as being a less than competent actor, and the box office failure of Raoul Walsh's The Big Trail (1930) in 1930, Wayne's first serious starring role.
    a
    John Wayne's 80th film.


    John Ford loved the Monument Valley location so much that the actual stagecoach journey traverses the valley three times.


    In 1939 there was no paved road through Monument Valley, hence the reason why it hadn't been used as a movie location before (it wasn't paved until the 1950s). Harry Goulding, who ran a trading post there, had heard that John Ford was planning a big-budget Western so he traveled to Hollywood, armed with over 100 photographs, and threatened to camp out on Ford's doorstep until the director saw him. Ford saw him almost immediately and was instantly sold on the location, particularly when he realized that its remoteness would free him from studio interference.


    The interior sets all have ceilings, an unusual practice at the time for studio filming. This was to create a claustrophobic effect in complete counterpoint to the wide open expanse of Monument Valley.


    David O. Selznick was interested in making the film, but only if he could have Gary Cooper as the Ringo Kid and Marlene Dietrich as Dallas.


    John Ford's first sound Western, and his first in that genre in 13 years. Westerns had fallen out favor with the coming of sound, as it was tricky to record on location.


    Local Navajo Indians played the Apaches. The film's production was a huge economic boost to the local impoverished population, giving jobs to hundreds of locals as extras and handymen.


    Hosteen Tso, a local shaman, promised John Ford the exact kind of cloud formations he wanted. They duly appeared.


    John Ford gave John Wayne the script, asking him for any suggestions as to who could play the Ringo Kid. Wayne suggested Lloyd Nolan, not realizing that Ford was baiting him with the part. Once filming began, however, Ford was merciless to Wayne, constantly undermining him. This psychological tactic was designed to make Wayne start feeling some real emotions, and not to be intimidated by acting alongside the likes of such seasoned professionals as Thomas Mitchell.


    In 1939 Claire Trevor was the film's biggest star, and thus commanded the highest salary.


    The premise of Ernest Haycox's story comes from Guy de Maupassant's famous story 'Boule de Suif', which takes place in Normandy during the 1870 Franco-Prussian War.


    Orson Welles privately watched this film about 40 times while he was making Citizen Kane (1941).


    Near the end of the movie, Luke Plummer (Tom Tyler) has a pair of black aces and a pair of black eights. This is the notorious "dead man's hand" supposed to have been held by Wild Bill Hickok before he was killed.


    A device known as a "Running W" was used on the Indians' horses during the sequence where they are chasing the stagecoach. Strong, thin wires are fixed to a metal post, then the other end of the wires are attached to an iron clamp that encircles the legs of a horse, and the post is anchored into the ground. The horse is then ridden at full gallop, and when the wire's maximum length is reached - just when the rider is "shot" - the animal's legs are jerked out from underneath it, causing it to tumble violently and throw the "shot" rider off. The trouble was that the rider knew when the horse was going to fall but the horse didn't, resulting in many horses either being killed outright or having to be destroyed because of broken limbs incurred during the falls. The use of the "Running W" was eventually discontinued after many complaints from both inside and outside the film industry.


    John Ford originally wanted Ward Bond to play Buck the stage driver but gave the role to Andy Devine when he found that Bond couldn't drive a "six-up" stagecoach and there wasn't time to teach him.


    John Wayne's salary was considerably less than all of his co-stars', apart from John Carradine.


    It's believed by many that the famous line "A man's gotta do what a man's gotta do," widely attributed to a John Wayne Western character, is spoken by Wayne in this film, however, it isn't. His character, The Ringo Kid, instead says "There are some things a man just can't run away from," when asked why he intends to stay and avenge his family's murders rather than try to escape to Mexico.


    Producer Walter Wanger wanted Gary Cooper for the role of Ringo but Cooper's fees were too high. Bruce Cabot unsuccessfully tested for it before John Ford got his wish and cast John Wayne.


    Film debut of Mickey Simpson.


    Although Louis Gruenberg receives screen credit for the musical score, his contribution was not used and his name was omitted for the Academy Award nomination.


    The hat that John Wayne wears is his own. He would wear it in many westerns during the next two decades before retiring it after Howard Hawks' Rio Bravo (1959), because it was simply "falling apart." After that, the hat was displayed under glass in his home.


    Ranked #9 on the American Film Institute's list of the 10 greatest films in the genre "Western" in June 2008.


    Pictured on one of four 25¢ US commemorative postage stamps issued 23 March 1990 honoring classic films released in 1939. The stamp featured Stagecoach (1939), Beau Geste (1939), The Wizard of Oz (1939), and Gone with the Wind (1939).


    Doctor Boone's misquote, 'Is this the face that wrecked a thousand ships/ and burned the towerless tops of Ilium?', is from The Tragical History of Doctor Faustus by Christopher Marlowe, Scene xiv.


    "Screen Director's Playhouse" broadcast a 30 minute radio adaptation of the movie on January 9, 1949 with John Wayne and Claire Trevor reprising their film roles.


    "Academy Award Theater" broadcast a 30 minute radio adaptation of the movie on May 4, 1946 with Claire Trevor reprising her film role.


    John Ford’s classic film is based on a short story, Stage to Lordsburg, by Ernest Haycox, published in Collier’s Magazine in 1937, in turn, based on Guy de Maupassant’s Boule de Suif, set during the 1870 Franco-Prussian War.


    And apart from the geographical locale, John Wayne’s character name was wisely changed from Malpais Bill to the Ringo Kid.


    The film established Monument Valley, on the Arizona-Utah border, as an icon of the American Old West, although, of the passengers, only John Wayne actually trekked out to Utah. None of the principals made it past California’s San Fernando Valley.


    Monument Valley, an area of striking, flat-topped mesas and buttes, was a tough location in 1938, at the end of a 200-mile dirt road from Flagstaff, Arizona. The Navajo nation, already troubled by disease and unemployment, were employed to play Apaches – one of the many nations they were to play over the years. The Valley is not a National Park, as you might expect, but a Tribal Park still belonging to, and managed by, the Navajo.


    But, striking as it is, Monument Valley is only a part of Stagecoach. The river crossing is the Kern River, near to Kernville, 40 miles east of Bakersfield, California. The old wagon cut at Newhall, on I-5 – also called Fremont Pass – is the entrance to the dry lake.


    Nearby Chatsworth and Calabasas, southern California, also provided locations. The chase by Indians was staged at Lucerne Dry Lake near Victorville, California, recreated by stunt artist Yakima Canutt from the 1937 Monogram movie Riders of the Dawn, which was filmed at the same location. To soften the ground for filming, 20 acres of ground had to be dug up by tractor.


    The real journey of the movie, though, is from the Western Street at Republic Studios (the town of ‘Tonto’) to the Goldwyn Studios (‘Lordsburg’), where the interiors were filmed


    Goofs
    * Crew or equipment visible: As the stagecoach crosses the river at the burnt out ferry, the shadow of a camera is clearly visible on the driver's back.


    * Continuity: In the begining of the film, when the stagecoach is going into Tonto street, we see its shadow to one side. In the next shot the shadow is on the other side.


    * Continuity: In the fight between the stagecoach's passengers and the Indians, we see the same image of one Indian, with a lance in his hand, falling with his horse two times. One time shot by Marshal Curly and another time shot by Hatfield.


    * Revealing mistakes: In the beginning sequence when the stage is coming into town you can see that the buildings are stage facades as the camera shot is at an angle and it is clear there is no structure behind the false front.


    * Revealing mistakes: In the scene at Apache Wells where Chris rushes in to wake the Marshall played by George Bancroft to say his wife has run off, Bancroft and John Wayne are chained together at the ankle. George Bancroft delivers his line but moves his chained leg to far, jerking the chains around Wayne's ankle. Wayne yelps and grabs his ankle. As Bancroft turns toward Wayne to undo the chains, Bancroft is clearly struggling not to break up laughing as Wayne glares at him.


    Memorable Quotes


    Filming Locations
    Beale's Cut, Newhall, California, USA
    Calabasas, California, USA
    Canon City, Colorado, USA
    Chatsworth, Los Angeles, California, USA
    Iverson Ranch, Chatsworth, Los Angeles, California, USA
    Kayenta, Arizona, USA
    Kern County, California, USA
    Kern River, Bakersfield, California, USA
    Kern River, California, USA
    Kernville, California, USA
    Lucerne Dry Lake, California, USA
    Mesa, Arizona, USA
    Monument Valley, Utah, USA
    Newhall, California, USA
    RKO Encino Ranch - Balboa Boulevard & Burbank Boulevard, Encino, Los Angeles, California, USA
    Victorville, California, USA
    Samuel Goldwyn/Warner Hollywood Studios (The Lot ) - 1041 N. Formosa Ave.

    Best Wishes
    Keith
    London- England

    Edited 14 times, last by ethanedwards ().

  • Stagecoach is a 1939 American Western film directed by John Ford,
    starring Claire Trevor and John Wayne in his breakthrough role.
    The screenplay, written by Dudley Nichols and Ben Hecht, is an adaptation of "The Stage to Lordsburg",
    a 1937 short story by Ernest Haycox.
    The film follows a group of strangers riding on a stagecoach through dangerous Apache territory.


    Although Ford had made many Westerns in the silent film era,
    he had never previously directed a sound Western.
    Between 1929 and 1939, he directed films in almost every other genre,
    including Wee Willie Winkie (1937), starring Shirley Temple.


    Stagecoach was the first of many Westerns that Ford shot using Monument Valley,
    in the American south-west on the Arizona–Utah border, as a location,
    many of which also starred John Wayne.
    In Stagecoach the director skillfully blended shots of Monument Valley
    with shots filmed at Iverson Movie Ranch in Chatsworth, California, and other locations.
    The members of the production crew were billeted in Kayenta, in Northeastern Arizona, in an old CCC camp.
    Conditions were spartan, productions hours long, and weather conditions at this 5700 foot elevation
    were extreme with constant strong winds and low temperatures.
    Nonetheless, director John Ford was satisfied with the crew's location work.
    For this location, filming took place near Goulding's Trading Post on the Utah border,
    about 25 miles from Kayenta.


    What can you say about the film that made Duke a star!


    User Review

    Best Wishes
    Keith
    London- England

    Edited 4 times, last by ethanedwards ().

  • Hi


    Talking of continuity when Ford was filming the stagecach being chased by the Indians it appeares that the coach is travellig from left to right and later from right to left.


    This wasn't a goof Ford wanted to catch as much light as possible so in order to do so he turned the stagecoach round.


    Orson Wells thought that Ford was the only director who could have got away with it.



    Regards


    Arthur

    Walk Tall - Talk Low


  • Hi Arthur,
    Thank you for this detail, I didn't saw it before. But the scene of the chase are so brilliant that it doesnt matter, that it has nothing to do with reality. I like the way it is shoot and all that horse stunts, and geneus Canutt (I have read his memories about filming this scene in Dan Fords book, it seems from the book that it was Duke who bring him to the picture).
    Regards,
    Vera

  • Hi Vera


    Apparantly Cannutt did the stunt in two parts the first sitting on the horses and then the part where he let the coach role over him.


    At the end of the shot Ford was anxious that they had caught it all on film as he was afraid to do it again.


    Cannutt would have been quite happy to repeat it.


    Regards


    Arthur

    Walk Tall - Talk Low

  • Hi all,
    Just came from the theater were The Stagecoach were shown on the big screen. It is really another impression of the movie. But the copy didn't seem so sharp as on DVD, I guess were did they got it.
    I really like this movie, the way how Ford depictes different kinds of people (it is seems to me that there is no unimportaint people for him) and of course great performance of Duke. I enjoy it all!
    Before the performance it was said that Kurosava thought that Ford was the gretest director and he influenced him greatly.
    Regards,
    Senta

  • Memorable Quotes


    First line, spoken by Duke, in an 'A' MOVIE,


    Hi ya, buck, Hi ya Curley


    Henry, the Ringo Kid: Well, there are some things a man just can't run away from.


    Dallas: Well, you gotta live no matter what happens.


    Marshal Curly Wilcox: You can find another wife.
    Chris: Sure I can find another wife. But she take my rifle and horse. Oh, I'll never sell her. I love her so much. I beat her with a whip and she never gets tired.
    Dr. Josiah Boone: Your wife?
    Chris: No, my horse. I can find another wife easy, yes, but not a horse like that!


    Ringo Kid: Well, I guess you can't break out of prison and into society in the same week.


    Ringo Kid: You might need me and this here Winchester, Curly.


    [the telegraph breaks off in mid-message]
    Capt. Sickel: Well? What's wrong?
    Telegraph operator: The line went dead, sir.
    Capt. Sickel: What have you got here?
    Telegraph operator: Only the first word, sir.
    Capt. Sickel: (reading) Geronimo.


    [Lt. Blanchard has just informed the stagecoach occupants that the cavalry will not escort them to Lordsburg]
    Marshal Curly Wilcox: This stage is going to Lordsburg. If you think it isn't safe, we can get there without you soldier boys.


    Henry Gatewood: So you're the notorious Ringo Kid.
    The Ringo Kid: My friends just call me Ringo - nickname since I was a kid. My name is Henry.


    The Ringo Kid: That was my kid brother that broke his arm. You did a good job, Doc, even if you were drunk.
    Dr. Josiah Boone: Thank you, son. Professional compliments are always pleasing.


    Marshal Curly Wilcox: Now folks, if we push on we can get to Apache Wells by sundown.
    Soldiers there will give us an escort as far as the ferry. After that, it's a hoot and a holler to Lordsburg.
    We got four men who handle firearms - five with you, Ringo. Doc can shoot if sober.


    [the stagecoach occupants vote on whether to continue without a cavalry escort]
    Marshal Curly Wilcox: You, Doc?
    Dr. Josiah Boone: I'm not only a philosopher, sir, I'm a fatalist. Somewhere, sometime,
    there may be the right bullet or the wrong bottle waiting for Josiah Boone. Why worry about when or where?


    [Mrs. Mallory, a passenger, has just given birth]
    Buck: Hey, Curly, do you think I should charge Mrs. Mallory's baby half fare?


    Dr. Josiah Boone: I'll take that shotgun, Luke.
    Luke Plummer: You'll take it in the belly if you don't get out of my way.


    Ed (editor): Billy! Billy! Kill that story about the Republican Convention in Chicago and take this down.
    "The Ringo Kid was killed on Main Street in Lordsburg tonight. And among the additional dead were..." Leave that blank for a spell.
    Billy Pickett: I didn't hear any shootin', Ed.
    Ed (editor): You will, Billy, you will.


    Dr. Josiah Boone: Jerry, I'll admit as one man to another that, economically, I haven't been of much value to you.
    But do you suppose you could put one on credit?
    Jerry (bartender): If talk was money, Doc, you'd be the best customer I had.


    Buck: If I was you, I'd let them shoot it out.
    Marshal Curly Wilcox: Let who?
    Buck: Luke Plummer and the Kid. There would be a lot more peace in this territory if that Luke Plummer was so full of lead he couldn't hold his liquor.


    Henry, the Ringo Kid: Hold it!


    Buck: If there's anything I don't like, it's driving a stagecoach through Apache country.


    [first lines]
    Cavalry scout: These hills here are full of Apaches. They've burnt every ranch building in sight.
    [referring to Indian scout]
    Cavalry scout: He had a brush with them last night. Says they're being stirred up by Geronimo.
    Capt. Sickel: Geronimo? How do we know he isn't lying?
    Cavalry scout: No, he's a Cheyenne. They hate the Apaches worse than we do.


    [last lines]
    Dr. Josiah Boone: Well, they're saved from the blessings of civilization.
    Marshal Curly Wilcox: Yeah.
    [laughs]
    Marshal Curly Wilcox: Doc, I'll buy you a drink.
    Dr. Josiah Boone: Just one.


    Dr. Josiah Boone: [drunkenly to his hideous landlady upon eviction] Is this the face that wrecked 1000 ships and burned the towerless tops of Illium?
    Farewell, fair Helen.


    Dr. Josiah Boone: You had broken your arm, I believe. It was Christmas Eve when your parents brought you in.
    I was celebrating, having a few drinks with the boys. I had just been discharged from the Union Army after the War of the Rebellion.
    Hatfield: You mean the War Against the Southern Confederacy.
    Dr. Josiah Boone: I don't mean anything of the kind.
    Ringo Kid: It was my kid brother whose arm you set, Doc.


    Hatfield: A gentleman doesn't smoke in the presence of a lady.
    Dr. Josiah Boone: Three weeks ago I took a bullet out of a man who was shot by a gentleman. The bullet was in his back!
    Hatfield: You mean to insinuate...
    Ringo Kid: Sit down, mister. Doc don't mean no harm.


    INFORMATION IMDb

    Best Wishes
    Keith
    London- England

  • I noticed they are playing a 1992 remake of Stagecoach on TV today. I looked it up on the net and also saw a 1996 version. Has anyone seen either of these?

  • I have seen the 1986 version with Johnny Cash, Willie Nelson, Waylon Jennings and Kris Kristoferson. It is different the the original and obviously you have a bunch of singers so the acting is not great, but it is watchable. I have also seen the 1960's(not sure of year at the moment) version with Ann Margeret. I liked that one, it follows the original pretty close.

    Life is hard, its even harder when your stupid!!
    -John Wayne

  • Though I love Ann Margaret, and liked most of the actors in the 1960's version--I disliked that version (Sorry Todd) :) and have not seen any other so I cannot comment.

    Es Ist Verboten Mit Gefangenen In Einzelhaft Zu Sprechen..

  • Hi,


    Whilst researching the Movie Locations,
    I can across this trivia, and thought it worth posting,


    Information from
    The Worldwide Guide to Movie Locations


    Wisely, John Waynes character name was changed from Malpais Bill to the Ringo Kid.


    The film established Monument Valley, on the Arizona-Utah border, as an icon of the American West, although, of the passengers, only John Wayne actually trekked out to Utah. None of the principals made it past Californiaís San Fernando Valley.


    Monument Valley, an area of striking, flat-topped mesas and buttes, was a tough location in 1938, at the end of a 200-mile dirt road from Flagstaff, Arizona. The Navajo, already troubled by disease and unemployment, were employed to play Apaches – one of the many nations they were to play over the years. The Valley is not a National Park, as you might expect, but a Tribal Park still belonging to, and managed by, the Navajo nation.


    But the Valley is only a part of Stagecoach. The river crossing is the Kern River, near to Kernville, 40 miles east of Bakersfield, California. The old wagon cut at Newhall, on I-5 ‚ also called Fremont Pass ‚ is the entrance to the dry lake.


    Nearby Chatsworth and Calabasas also provided locations. The chase by Indians was staged at the Muroc Dry Lake salt flats near Victorville, California, recreated by stunt artist Yakima Canutt from the 1937 Monogram movie Riders of the Dawn, which was filmed at the same location.


    To soften the ground for filming, 20 acres of ground had to be dug up by tractor. The real journey of the movie, though, is from the Western Street at Republic Studios (the town of 'Tonto') to the Goldwyn Studios ('Lordsburg'), where the interiors were filmed.

    Best Wishes
    Keith
    London- England

  • Hi All


    Watched Stagecoach tonight. Great show.


    Just out of curiosity you know the scene were the Stagecoach picks up Ringo is this location repeated just before going into the Indian chase except the Stagecoach is filmed from the right as opposed to straight on.


    Watched the film many times but never noticed that before.



    Mike

  • Hi Mike


    The scene when Duke twirls his rifle was apparently filmed in a studio according to Michael Munn's book the man behind the myth.


    In addition to this the book also claims that this movie did not make duke an overnight star as had been previously claimed and Duke would have to resort to supporting roles for another few years until he established himself as a huge star.


    :agent:

    Regards
    Robbie

  • Hi Robbie


    I would say he was right on both counts. The moving of the camera to a close up on John Wayne was more than likely done in a contolled environment like a studio.


    Whilst Stagecoach was a great movie and got John Wayne noticed it took the films between Stagecoach to 1945 to cement his status. He was still in supporting star staus as late as They Were Expendable in 1945 and Fort Apache in 1948. Fonda and Montgomery being the main stars for Ford.


    After, She Wore a Yellow Ribbon, Red River & Sands of Iwo Jima with the exception of cameos he was always the main star.




    Mike

  • Red River was possibly more important than Stagecoach. Duke however turned down a movie in 1939 that proved a big mistake. The movie was to be 'North West mounted police' and it was released in 1940. Duke was offered the role by Cecil B Demille and turned it down due to the fact that Demille refused to give him a role in the 1936 western the Plainsman thinking that Duke was not the right choice as he was only a B movie actor.


    However Duke made several important movie between Stagecoach and 1948 when Red River was released. These movies included 'Tall in the Saddle', 'They were Expendable', 'Back to Bataan'. 'Flying Tigers' and 'The Long Vogage Home'. Not a bad collection of movies from the rising star and I am sure there were other good movies made by Duke within this period that I have yet to see.


    :agent:

    Regards
    Robbie

  • I think Red River was the most important one. I believe Ford's comment on seeing it was " I didnt think the SOB could act" I think it was a turning point
    in terms of films John Wayne did and was offered as well as his relationship with Ford.


    The films you mentioned are proberably the best of the war years although I don't personally like The Long Voyage Home.


    I think John did himself a favour turning down De Mille. Whilst his biblical epics hold up fairly well most of the other films he made have dated very badly.



    Mike

  • Duke's Movie Locations


    Check out this site for the story of Stagecoach locations



    Stagecoach- Locations:



    stage1.jpgstage10.jpg


    stage9.jpgstage18.jpg



    Filming Locations


    Beale's Cut, Newhall, California, USA


    beale1.jpgbeale2.jpgbeale.jpg



    Calabasas, California, USA


    Canon City, Colorado, USA


    Chatsworth, Los Angeles, California, USA


    Iverson Ranch, Chatsworth, Los Angeles, California, USA


    Kayenta, Arizona, USA


    Kern River, California, USA


    Kernville, California, USA


    Lucerne Dry Lake, California, USA


    Luzerne Dry Lake, Victorville, California, USA


    Mesa, Arizona, USA


    Monument Valley, Arizona/Utah, USA


    Newhall, California, USA


    RKO Encino Ranch, Encino, Los Angeles, California, USA


    Samuel Goldwyn/Warner Hollywood Studios - 1041 N. Formosa Ave., Hollywood, Los Angeles, California, USA
    (studio)


    Victorville, California, USA


    Most of these locations, are discussed
    in Movie Discussions,


    Duke's Movie Locations

    Best Wishes
    Keith
    London- England

  • Keith;

    I hate to keep doing this to you But I have spent Many Days and Months in Moument Valley doing Air Work for For Films and T.V. Commercials, and the Shots that You have of Monument Valley with The Right and Left Mittens and "Butte A and the Wall" were Taken in Arizona, not Utah, and Kayenta is the Gateway from the South in to Monument Valley.

    Utah is a Few Miles to the North, and Many people Make this Mistake as Gouldings Lodge is just inside of Utah to the North.

    Bill :cowboy:


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