
Angel And The Badman (1947)
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I love this movie! I watched it again two days ago - the black and white original version (I have colorized version on DVD too), and it has not lost its magic, although I have seen it a dozen times. The Duke as the bad guy who becomes good in the end is wonderful and John Wayne and Gail Russell are a real fine couple!
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I've always loved this one too. Has it ever been remastered? My copy is rather dark and grainy in some spots.
Mark
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The black and white version I bought here in Germany on DVD is dark too. The colorized version from my old VHS cassette looks much better!
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One of my fave Duke westerns.
I've only seen it in black and white, haven't seen a colourized version in the UK.
The DVD is actually pretty good quality and well mastered. -
What exactly made him a badman? We never really saw him rob a bank? Was it because he hung out with Riff Raff? Or was it just his reputation as a tough guy? Anyway, Good movie! i like it!
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wtrayah,
I think one reason he is "the bad man" is because in the Quaker community, any kind of violence is considered wrong. Duke's character was a known gun-slinger - he is the last guy those parents would want their daughter falling in love with. And of course, he did hang out with the "wrong" crowd, too.
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Watched this recently and I enjoyed it, im not much of a love story guy but I liked seeing how Duke was conflicted and I enoyed the quaker bits. I would have liked to have seen Duke torn over women like this in other stories, its a great plot
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Interesting post, thanks
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This scene must have wound up on the cutting room floor. I don't remember seeing it in the film. Am I wrong?
Mark
This is not from "Angel and the Badman" and neither is the picture above of Duke confronting the guy across a table. -
One of the most impressive things about this movie is the way Gail Russell handles that two-horse team in her big introduction scene, whipping the wagon around a corner and then bringing it thundering to a stop right on her mark.
To me, this movie has the easygoing spirit of the early oaters combined with a burgeoning maturity--it's like a fun kids' western with a heartfelt adult sensibility. Every element of the film is exquisitely rendered. It's just a beautiful, emotionally rich, visually stunning western that is endlessly and effortlessly appealing. -
One of the most impressive things about this movie is the way Gail Russell handles that two-horse team in her big introduction scene, whipping the wagon around a corner and then bringing it thundering to a stop right on her mark.
I always wondered about that scene. Did she REALLY bring that team to a halt like that or was the scene rigged to look that way? Looked real to me. Anyone else know if it was really her?
Mark
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It's all done in one continuous shot so it looks real to me. At any rate, she did enough of it herself for me to be impressed! And she comes to a standing stop just in the right spot for her close up.
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