Republic

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    There are 6 replies in this Thread. The last Post () by ethanedwards.

    • [IMG:http://i27.photobucket.com/albums/c187/john-wayne/John%20Wayne/Republic_Pictures.jpg]

      Founded
      1935
      Herbert J. Yates

      Headquarters
      Hollywood, California, United States

      Owner
      Viacom

      Parent
      Paramount Motion Pictures Group

      For more information:-
      Republic Pictures- Wikipedia

      Republic Pictures
      is an independent film production-distribution corporation
      with studio facilities, operating from 1934 through 1959
      and best known for its specialization in westerns, movie serials
      and B films emphasizing mystery and action.

      They were also responsible for financing one Shakespeare film,
      Orson Welles' Macbeth (1948), and several of the films of John Ford
      during the 1940s and early 1950s, and for developing the careers
      and star-status of John Wayne, Gene Autry and Roy Rogers.

      1. Corporate History
      Created in 1935 by Herbert J. Yates, a longtime investor in film and music properties
      and founder and president of Consolidated Film Industries

      Republic was the result of a union of six smaller Poverty Row studios.

      In the depths of the 1930s depression, Yates' laboratory was servicing many poverty-row studios.
      In 1935 Yates saw a chance to become a production head himself.
      Six established poverty-row companies (Monogram, Mascot, Liberty, Majestic, Chesterfield, and Invincible) were all dependent on Yates' lab.
      Yates prevailed upon his clients to merge under his leadership
      (or otherwise face foreclosure on outstanding lab bills).
      Yates' new company, Republic Pictures Corporation, was established
      as a collaborative enterprise focused on low-budget product.

      [IMG:http://www.cobbles.com/simpp_archive/images/monogram-studio.jpg]

      The largest of Republic's components was Monogram Pictures,
      run by Trem Carr and W. Ray Johnston, specializing in "B" films,
      and controlling a nation-wide
      distribution system.

      The most advanced technically was Nat Levine's Mascot Pictures Corporation,
      which had been making serials almost exclusively since the mid-1920s
      and had a first-class production facility,
      the former Mack Sennett-Keystone lot in Studio City.
      Mascot also had just discovered Gene Autry and signed him to a contract
      as a singing cowboy star.

      Larry Darmour's Majestic Pictures had developed a following,
      with big-name stars and rented sets giving his humble productions a polished look.
      Republic took its original "Liberty Bell" logo from M. H. Hoffman's Liberty Films
      (not to be confused with Frank Capra's short-lived Liberty Films
      that produced his It's a Wonderful Life, ironically now owned by Republic),
      Chesterfield Pictures and Invincible Pictures
      two sister companies under the same ownership,
      were skilled in producing low budget melodramas and mysteries.

      Acquiring these six companies allowed Republic to begin life
      with a skilled production staff, a company of experienced B-film supporting players
      and at least one highly promising star, a complete distribution system,
      and a functioning studio. In exchange for merging, the principals
      were promised independence in their productions under the Republic aegis,
      and higher budgets with which to improve the quality of the films.

      [IMG:http://i27.photobucket.com/albums/c187/john-wayne/John%20Wayne/mathis_studios.jpg]..

      After he had "learned the ropes" of film production and distribution from his partners,
      Yates began asserting more and more authority over "their" film departments,
      and dissension arose in the ranks.
      Carr and Johnston left and reactivated Monogram Pictures;
      Darmour resumed independent production for Columbia Pictures;
      Levine left and never recovered from the loss of his studio, staff, and stars,
      all of whom now were contracted to Republic and Yates.
      Freed of partners, Yates presided over what was now "his" film studio
      and acquiring senior production and management staff
      who would serve him as employees, not experienced peers
      with independent ideas and agendas.

      Republic also acquired Brunswick Records to record their singing cowboys
      Gene Autry and Roy Rogers and hired Cy Feuer as head of their music department

      2. Types of films
      In its early years Republic was itself sometimes labelled a "poverty row" company
      as its primary product were B movies and serials. Republic, however,
      showed more interest in, and provided larger budgets to, these films
      than many of the larger studios were doing, and certainly more than
      other independents were able to.

      The heart of the company was its B-westerns, and many western-film leads,
      among them John Wayne, Gene Autry, Rex Allen, and Roy Rogers,
      became recognizable stars at Republic.

      However, by the mid-1940s Yates was producing better-quality pictures,
      even mounting big-budget fare like The Quiet Man, Sands of Iwo Jima,
      Johnny Guitar, and The Maverick Queen.

      From the mid-1940s, Republic films often featured Vera Hruba Ralston,
      a former Czechoslovakian ice-skater who had won the heart of the studio boss,
      becoming the second Mrs. Yates in 1949.
      She was originally featured in musicals
      as Republic's answer to Sonja Henie, but Yates tried to build her up as a dramatic star,
      casting her in leading roles opposite important male stars.
      Yates billed her as "the most beautiful woman in films"
      but her charms were lost on the moviegoing public,
      and exhibitors complained that Republic was making too many Ralston pictures.
      Years later, John Wayne allowed that the reason he left Republic
      in 1952 was the threat of having to make another picture- he had endured two
      - with Miss Ralston.
      Yates remained Ralston's biggest supporter, and she continued to appear
      in Republic features until its very last production.

      [IMG:http://i27.photobucket.com/albums/c187/john-wayne/John%20Wayne/repub5.jpg]

      Although Republic made most of its films in black and white,
      it occasionally would produce a higher-budget film, such as
      The Red Pony (1949) and The Quiet Man (1952) in Technicolor.

      Republic produced many "hillbilly" and rural musicals and comedies featuring Bob Burns,
      the Weaver Brothers, and Judy Canova that were popular in various areas of the United States.

      With production costs increasing, Yates organised Republic's output
      into four types of films, "Jubilee" usually a Western filmed in seven days
      for about $50,000, "Anniversary" filmed in fourteen to fifteen days
      for $175,000 to $200,000, "Deluxe" that were major films made by Republic's
      crew for a budget of around $500,000 and "Premiere" that featured major directors
      who did not usually work for Republic that could feature a budget of a million dollars.
      Some of these were from independent production companies that
      were picked up for release by Republic.

      During the late 1940s and 1950s, Yates utilized a low-cost Cinecolor
      type process called Trucolor in many of his films, notably Johnny Guitar (1954),
      The Last Command, and Magic Fire (1956).

      In 1956 Republic came up with their own widescreen film process,
      Naturama with The Maverick Queen as the first film made in the process.

      3. In the Television Era
      Republic was one of the first Hollywood studios to offer its film library to television.
      In 1951 Republic established a subsidiary, Hollywood Television Service,
      to sell screening rights in its vintage westerns and action thrillers.

      Hollywood Television Service also produced television shows filmed in the
      same style as Republic's serials such as The Adventures of Fu Manchu (1956).
      Also, in 1952 the Republic studio lot became the first home of MCA's series factory,
      Revue Productions. While it would appear that Republic was well suited
      for television-series production, it did not have the finances or vision to do so.
      Yet by the mid-fifties, thanks to its sale of old features and leasing of studio space
      to MCA, television was the prop holding up Republic Pictures.

      During this period, Republic produced Commando Cody: Sky Marshal of the Universe;
      unsuccessful as a theater release, the 12-part serial was later sold to NBC for television distribution. Talent-agent MCA exerted influence at the studio, bringing some
      high-paid clients in for occasional features, and it was rumored at various times
      that either MCA or deposed MGM head Louis B. Mayer would buy the studio outright.
      From 1954-1955, Republic produced Stories of the Century, starring and narrated
      by Jim Davis. The syndicated series was the first western to win an Emmy Award.

      [IMG:http://i27.photobucket.com/albums/c187/john-wayne/John%20Wayne/repub03.jpg]

      As the demand and market for B-pictures declined, Republic began to cut back,
      slowing production from 40 features annually in the early 1950s to 18 in 1957.
      A tearful Herbert Yates informed shareholders at the 1958 annual meeting that
      feature-film production was ending; the distribution offices were shut down
      the following year. In the early 1960s, Republic sold its library of films to National Telefilm Associates (NTA).

      Having used the studio for series production for years,
      CBS bought Republic's studio lot; today it is known as CBS Studio Center,
      and in 2006 became home to the network's Los Angeles stations, KCBS-TV and KCAL-TV.
      In 2008, the CBS Network relocated from its Hollywood Television City
      Location to the Radford lot. All network executives now reside on the lot.

      [IMG:http://i27.photobucket.com/albums/c187/john-wayne/John%20Wayne/repub23.jpg]

      The studio's parent company, Republic Corporation, survived for some years on Yates'
      other interests, among them Consolidated Film Laboratories and the manufacture
      of household appliances.
      Other than producing a 1966 package of 26 "Century 66" 100 minute made-for-TV movies
      edited from some of the Republic serials to cash in on the popularity of the
      Batman television series, its role in Hollywood ended with the sale of the studio lot.

      4. Aftermath
      During the early 1980s, NTA re-syndicated most of the Republic film library for use by
      then-emerging cable television, and by 1986 found itself so successful with
      these product lines that it bought the Republic Pictures name and logo.
      A television-production unit was set up under the Republic name, and offered,
      among other things, the CBS series Beauty and the Beast and game show
      Press Your Luck (the rights to the latter series have since reverted to FremantleMedia).
      There were also a few theatrical films, including Freeway, Ruby in Paradise, and Bound.
      The "new" Republic also began marketing the original's serial library on videotape.

      In 1993, Republic won a landmark legal decision reactivating the copyright on
      Frank Capra's 1946 RKO film It's a Wonderful Life; (under NTA, they had already
      acquired the film's negative, music score, and the story on which
      it was based, "The Greatest Gift").

      In 1994, Spelling Entertainment (headed by Aaron Spelling) acquired Republic Pictures.
      Soon after, Spelling consolidated its many divisions, reducing Republic Pictures
      to a marketing brand-name. Republic's video division shut down in 1995,
      allowing the video rights to the Republic library to be leased to Artisan Entertainment,
      while the library itself continued to be released under the Republic name and logo.

      By the end of the decade, Viacom bought the portion of Spelling it did not own previously,
      thus Republic became a wholly owned division of Paramount. A
      rtisan (later sold to Lions Gate Home Entertainment) continued
      to use the Republic name, logo, and library under license from Paramount.

      Republic Pictures' holdings consists of a catalog of 3,000 films and TV series.

      As of 2008, Republic remains an in-name-only distribution company under
      Paramount Motion Pictures Group, a division of Viacom.

      Outside the US, video rights to the Republic film library are divided.
      For example, Universal Studios Home Entertainment owns the UK rights
      (they also own UK DVD rights to the TV series Twin Peaks,
      despite other Spelling/Republic shows being distributed by Paramount there),
      and Paramount themselves handles distribution in Latin America and Australia.

      For more information:-
      Republic Pictures- Wikipedia

      [extendedmedia]https://www.youtube.com/watch?v=jZvHRkgu_AI[/extendedmedia]

      N.B
      All information correct at original posting, for updated information
      please click on Wikipedia link
      Best Wishes
      Keith
      London- England

      The post was edited 38 times, last by ethanedwards ().

    • Re: Duke's Movie Studios- Republic/ Monogram Pictures

      Duke was at one time Republic's biggest star and asset,
      until his fallings out with Mr. Yates,
      and really, did Duke want to make anymore movies with Vera Ralston!!

      Duke had had a torrid time working at Columbia,
      and after a fall out with the studio boss was now out of work.
      In 1932, Nat Levine of Mascot offered Duke a part in a serial he was producing,
      Shadow of the Eagle, although it was a Poverty Row studio,
      it was a stepping stone, which led to him starring in two other serials,
      The Hurricane Express and The Three Musketeers

      Duke's deal with Levine was non-exclusive, and would work with
      other studios in between.

      In the spring of 1933, Duke was to return to Poverty Row,
      when he signed a contract with Lone Star Productions,
      to play lead in a series of westerns produced by Paul Malvern.
      They were to be distributed by Monogram,
      so considered a step up from Mascot

      The director of the westerns starting with Riders of Destiny,
      was Robert North Bradburyfather of Duke's friend Bob Steele.
      If not for Robert North Bradbury, Duke would have been lost forever!
      See here:-
      Pals Of The Saddle- Robert North Bradbury

      Monogram Pictures were, like Mascot swallowed up by Herbert Yates,
      and the new company formed called Republic Pictures
      Including Mascot and Monogram Pictures,
      which became the biggest component of Republic,

      Duke made the following 52 movies with the three studios:-

      1932. THE SHADOW OF THE EAGLE- (Mascot)
      1932. THE HURRICANE EXPRESS- (Mascot)
      1932. THE THREE MUSKETEERS- (Mascot)
      1933. RIDERS OF DESTINY- (Lone Star/Monogram)
      1933. SAGEBRUSH TRAIL- (LS/M)
      1933. WEST OF THE DIVIDE- (LS/M)
      1934.-THE LUCKY TEXAN- (LS/M)
      1934. BLUE STEEL-(LS/M)
      1934. THE MAN FROM UTAH- (LS/M)
      1934. RANDY RIDES ALONE- (LS/M)
      1934. THE STAR PACKER- (LS/M)
      1934. THE TRAIL BEYOND- (LS/M)
      1934. 'NEATH ARIZONA SKIES- (LS/M)
      1934. LAWLESS FRONTIER- (LS/M)
      1935. TEXAS TERROR- (LS/M)
      1935. RAINBOW VALLEY- (LS/M)
      1935. THE DESERT TRAIL- (LS/M)
      1935. THE DAWN RIDER- (LS/M)
      1935. PARADISE CANYON- (LS/M)
      1935. WESTWOOD HO!- (Republic) First of new almalgamated company.
      1935. NEW FRONTIER- (Republic)
      1935. LAWLESS RANGE- (Republic)
      1936. THE LAWLESS NINETIES- (Republic)
      1936. KING OF THE PECOS- (Republic)
      1936. THE OREGON TRAIL- (Republic)
      1936. WINDS OF THE WASTELAND-(Republic)
      1936. THE LONELY TRAIL- (Republic)
      1938. PALS OF THE SADDLE- (Republic)
      1938. OVERLAND STAGE RAIDERS- (Republic)
      1938. SANTA FE STAMPEDE- (Republic)
      1938. RED RIVER RANGE- (Republic)
      1939. THE NIGHT RIDERS- (Republic)
      1939. THREE TEXAS STEERS- (Republic)
      1939. WYOMING OUTLAW- (Republic)
      1939. NEW FRONTIER- (Republic)
      1940. DARK COMMAND- (Republic)
      1940. THREE FACES WEST- (Republic)
      1941. A MAN BETRAYED- (Republic)
      1941. LADY FROM LOUISIANNA- (Republic)
      1941. LADY FOR A NIGHT- (Republic)
      1942. IN OLD CALIFORNIA- (Republic)
      1942. FLYING TIGERS- (Republic)
      1943. IN OLD OKLAHOMA(War of the Wildcats)(Republic)
      1944. THE FIGHTING SEABEES- (Republic)
      1945. FLAME OF THE BARBARY COAST- (Republic)
      1945. DAKOTA- (Republic)
      1947. ANGEL AND THE BADMAN- (Republic)
      1949. WAKE OF THE RED WITCH- (Republic)
      1949. THE FIGHTING KENTUCKIAN- (Republic)
      1949. SANDS OF IWO JIMA- (Republic)
      1950. RIO GRANDE- (Argosy/Republic)
      1952. THE QUIET MAN- (Argosy/Republic)
      Best Wishes
      Keith
      London- England

      The post was edited 8 times, last by ethanedwards ().

    • Re: Duke's Movie Studios- Republic (Monogram)

      thank's for the history of republic studio.i know he didnt like vera ralston,but didnt jw have an agreement with yates to do the alamo.but yates wanted it done on a low budget,but wayne wanted a big budget and on location.so when yates declined on the agreement wayne left republic studio's
    • Re: Duke's Movie Studios- Republic (Monogram)

      ringo kid wrote:

      thank's for the history of republic studio.i know he didnt like vera ralston,but didnt jw have an agreement with yates to do the alamo.but yates wanted it done on a low budget,but wayne wanted a big budget and on location.so when yates declined on the agreement wayne left republic studio's


      Yes he did, more to come tomorrow.

      According to an interview in the "Los Angeles Times" on 28 October 2000

      Maureen O'Hara recounted that she, John Ford and John Wayne had a handshake agreement in 1944 to produce this film.
      When John Ford pitched the idea to Hollywood producers, he was told that it was a "silly Irish story that won't make a penny".
      Wayne had a contract with Republic Pictures and approached Republic studio chief Herbert J. Yates ("...a step down for John Ford," he says),
      he was told that the script was a silly Irish tale that would make no money. However,
      Yates would relent if Wayne, Ford and O'Hara together would make a western for Republic,
      a sure money-maker that would pay for Republic's projected loss in producing this picture.
      The picture that was made as a result of the agreement was Rio Grande (1950).


      From IMDb

      In order to get approval for a film he very much wanted to make, The Quiet Man (1952), John Ford had to agree to Herbert J. Yates, head of Republic Pictures, to make Rio Grande, starring both John Wayne and Maureen O'Hara. Republic believed that "The Quiet Man" would tank at the box office and thought a western would recoup that film's expected losses.
      Best Wishes
      Keith
      London- England

      The post was edited 4 times, last by ethanedwards ().

    • Re: Duke's Movie Studios- Republic (Monogram)

      To expand on the story just a bit...Yates insisted that Ford, Wayne, and O'Hara make an "old fashioned, B&W, western" that was certain to make him the money to he was sure to lose on "The Quiet Man"

      He also insisted that they use ALL the members of the Ford Stock Co., and the same camera and stunt crew as well. This was because Yates was no dummy - he KNEW that Ford had a formula for success (usually), and he made great westerns.

      The rest (as usual) is history!!
    • Re: Duke's Movie Studios- Republic (Monogram)

      The final straw came on completion of The Quiet Man,
      (which was to be his last film for the studio)
      Duke returned from Ireland in an expansive mood, pleased
      with the work he'd done there.
      No sooner had he arrived in LA than he had a showdown with Yates
      over aspects of the film, the title for one.
      Moreover, he and his partner Robert Fellows,
      wanted Republic to make a movie about Duke's pet project
      The Alamo, but Yates changed his mind about offering
      to produce the film.
      The man has the soul of an accountant

      said Duke.
      Duke had stayed at Republic because John Ford was there,
      but the situation had got insufferable.

      After weeks of prepartion to make the film,
      Yates become nervous about the costs, and called a halt.
      We'll talk about it again, when I get back in two weeks

      Yates told Duke.

      But as soon as the Republic boss left town,
      Duke summoned a van and moved his belongings out of the studio
      I never went back

      Duke said.

      To make matters even worse, a few years later Republic made their own movie
      about the seige, Last Command

      To Duke's disgust, he decided to produce the movie himself. No turning back!!
      Best Wishes
      Keith
      London- England

      The post was edited 2 times, last by ethanedwards ().