Posts from ethanedwards in thread „The Shepherd Of The Hills (1941)“


    Little OneDec 10th 2016+3


    “The Shepherd of the Hills” is a 1941 film based on a novel of the same name. Filmed in gorgeous Technicolor and containing excellent performances by Harry Carey, John Wayne, Betty Field, and others, I’m really not sure why this film isn’t a classic. The plot is simple, but beautiful and moving, one of Director Henry Hathaway’s greatest cinematic achievements. Our story begins in the Ozark Mountains of Missouri.


    Deep in the Ozark Mountains, buried within the shade of thousands of whispering pines, dogwoods, oaks, and cedars, lay a valley. The valley was old and beautiful. But this beautiful, old valley held a dark and terrible secret. For in the heart of these shady trees and golden sunshine, lived a people in a terrible bondage. While the hills rang with the songs of birds and the golden sun shone down, the truth was seen clearly in people’s faces. Their faces were tired, old beyond their time, and trapped in a seemingly unbreakable bondage of fear.


    Into this valley of dark and hopelessness comes the hero of our story, one Daniel Howitt (Harry Carey). The mountain folk initially distrust this tall stranger from the city, as they do all strangers who enter their land. They don’t understand why anyone would come to this country of their own free will, let alone settle down here as the stranger plans to do. Meanwhile Mr. Howitt makes one friend, young Sammy Lane (Betty Field), then begins quietly and steadily to win over the hurting community: a kind word here, a sickness doctored there. As he works, he listens and learns much about the people and their slavery to the darkness.


    Mr. Howitt discovers that the people believe all their trouble and heartache has one source: a dead woman. Many years before Sarah Matthews had been a happy woman with a young son and a loving husband beside her. Then one day her husband had left her, no one knew to where. The heartbroken Sarah died not long after. The mountain people believed that Sarah had left a curse on them, one that could only be broken if her erring husband was killed. So they went on, living lives burdened by deep superstition and fear.


    The people seemingly most affected by the curse and most shunned by the people of the valley is the Matthews family. Aunt Mollie is the leader of the clan, and she guides her family with an iron hand, overseeing the family’s moonshining business and occasionally letting go with venomous speeches about the other folks in the valley. The person most affected by her tirades is young Matt Matthews (John Wayne). Matt is the son of the late Sarah Matthews, and on him lies the greatest burden of all. Aunt Mollie has been raising him to be the one to do away with his wandering father. Lecturing him with fiery outbursts about his duty to his family, he has grown up under the belief that the only way to end the supposed curse upon his family and the other occupants of the valley is if he sheds the blood of his own father.


    Mr. Howitt hears this sad story and sees the effect of it in the lives of those around him. He tells Sammy Lane, “Well, it might be that unhappy land, like unhappy people, needs someone to care for it.” Under his quiet guidance, the people of the valley slowly begin to change. Sammy is able to conquer some of her fears. A dumb-stricken boy begins to blossom. And even young Matt Matthews’ heart begins to soften. But before Mr. Howitt’s message of hope and forgiveness can completely take root, something happens that may change the valley and endanger their new hopes of happiness.


    I found this inspiring film to be a beautiful picture of what life is really like for all of us who walk this earth. Trapped in a bondage to sin and death, we go on. Without joy, without peace, without hope. We fear what we know, and we fear what we do not know or understand. Sometimes we feel a temporary sort of happiness, but underneath is a deep, abiding yearning for something greater, something better. We want peace and security and hope for the future. We want a lasting joy to fill that deep hole in our souls, that abyss that constantly cries out to all of us to belong to something or someone. Desperate to answer its cry, we try filling it with many things, anything. But it is hopeless, for only one thing will truly satisfy.


    Only One will bring us the happiness, peace, and hope that we so long for. Only One is really a good shepherd. When we trust in Him to save us from the sin and bondage we are trapped in, He can and will move in and work a miracle of grace in our lives. Like the people in “Shepherd of the Hills”, our eyes are opened, our hearts changed. We have joy in the present and hope for the future: deep, abiding joy and sweet, eternal hope. It is really no wonder that both those who trust in Jesus Christ and those who don’t love stories like these. Deep down inside we all know that we were created for something greater. “He has put eternity into man’s heart (Eccl. 3:11)” and filled us with a longing for something better. I only pray that rather than remaining willingly in the darkness, we will, like the people in this story, come forward to the light and find forgiveness and hope.

    Hi,


    I like this film very much and thought it almost seemed to touch on some sort of cult.
    When watching it, I felt transported, into some mysterious, insular, backwater world,
    where everyone spoke strangely,


    Still a good film, I paid £5.99 as well for this one,
    but this time, it was worth every penny.
    One of Duke's under-rated films!

    The Shepherd of the Hills is a 1941 American drama film starring John Wayne,
    Betty Field
    and Harry Carey.
    The supporting cast includes Beulah Bondi, Ward Bond, Marjorie Main and John Qualen.


    The director was Henry Hathaway, who directed several other Wayne films
    including True Grit almost three decades later.


    Filmed on location at Big Bear, Duke began work on this film,
    accompanied by Marlene Deitrich, who stayed, at a hotel near the lake, Naughty Duke !!!!!
    The film was based on Harold Bell Wright's best selling novel of 1907.
    It was Duke's first film in Technicolor.
    Duke worked well with Henry Hathaway, considering in these early days,
    he was pretty scathing about Duke's acting abilities.
    However, they must have worked things out, as he was to eventually win Duke his only Academy Award!!


    Henry Hathaway said

    Quote

    Wayne, never was an actor...and because, he wasn't an actor, he had to do everything real..
    There wasn't anything in Duke,that would allow him to pretend he was something.
    He couldn't be French, he couldn't have an accent, he couldn't be Olivier.
    Whatever the actor was called to do in the script, he did it.
    It wasn't a question of acting, it was a question of reality


    Harry Carey, his hero, played a very apt Father,
    with a fine cast of, Beulah Bondi, Marjorie Main, and Ward Bond, supporting.


    I like this film very much and thought it almost seemed to touch on some sort of cult.
    When watching it, I felt transported, into some mysterious, insular, backwater world,
    where everyone spoke strangely, I think Beulah, and Marjorie, as they said in the film,

    Quote

    "Put the hecks on me"


    Critics, found the story dated, too sentimental and sweet, and full of platitudes.
    However, when the film opened, it was a big production, from a big studio,
    and served as another boost in Duke's career.


    User Review

    THE SHEPHERD OF THE HILLS


    DIRECTED BY HENRY HATHAWAY
    PRODUCED BY JACK MOSS
    PARAMOUNT PICTURES


    Photo with the courtesy of lasbugas


    INFORMATION FROM IMDb


    Plot Summary
    Young Matt Masters, an Ozark Mountains moonshiner, hates the father he has never seen,
    who apparently deserted Matt's mother and left her to die.
    His obsession contributes to the hatred rampant in the mountains.
    However, the arrival of a stranger, Daniel Howitt,
    begins to positively affect the mountain people, who learn to shed
    their hatred under his gentle influence. Still, Matt does not quite trust Howitt.....
    Summary written by Jim Beaver


    Full Cast
    John Wayne .... Young Matt
    Betty Field .... Sammy Lane
    Harry Carey .... Daniel Howitt
    Beulah Bondi .... Aunt Mollie
    James Barton .... Old Matt
    Samuel S. Hinds .... Andy Beeler
    Marjorie Main .... Granny Becky
    Ward Bond .... Wash Gibbs
    Marc Lawrence .... Pete
    John Qualen .... Coot Royal
    Fuzzy Knight .... Mr. Palestrom
    Tom Fadden .... Jim Lane
    Olin Howland .... Corky
    Dorothy Adams .... Elvy
    Virita Campbell .... Baby
    Fern Emmett .... Mrs. Palestrom
    Hank Bell .... Man with mustache (uncredited)
    Henry Brandon .... Bald Knobber (uncredited)
    Jim Corey .... Bald Knobber (uncredited)
    William Haade .... Bald Knobber (uncredited)
    John Harmon .... Charles, the deputy (uncredited)
    Selmer Jackson .... Doctor (uncredited)
    Carl Knowles .... Revenuer (uncredited)
    Bob Kortman .... Bald Knobber (uncredited)
    Charles Middleton .... Blacksmith (uncredited)
    Robert Shayne ... Undetermined Minor Role (unconfirmed) (uncredited)


    Writing Credits
    Stuart Anthony
    Grover Jones
    Harold Bell Wright story (novel)


    Original Music
    Gerard Carbonara


    Cinematography
    W. Howard Greene
    Charles Lang


    Trivia
    John Wayne's first film in Technicolor.


    One of over 700 Paramount Productions, filmed between 1929 and 1949,
    which were sold to MCA/Universal in 1958 for television distribution,
    and have been owned and controlled by Universal ever since.


    Goofs
    * Continuity: About 13 minutes before the end of the movie,
    when Young Matt leaves the house where Old Matt, Aunt Mollie and Sammy
    are tending to Pete after Pete was shot, Sammy follows, shutting and latching the door behind her.
    A few minutes later when Old Matt leaves, the door is standing wide open.


    * Factual errors: It would be quite impossible for Granny Becky (who has been blind her entire life)
    to be able to instantly recognize the familial similarities between
    Young Matt and Old Matt right after her eye bandages were removed.


    Memorable Quote


    Filming Locations
    Big Bear Lake, Big Bear Valley, San Bernardino National Forest, California, USA
    Branson, Missouri, USA
    Cedar Lake, Big Bear Valley, San Bernardino National Forest, California, USA