When I first began to assemble the photographs of John Wayne for this book, I wasn't conscious of it being a "goodbye" document. But in a way that's what this book is all about.
We had an easy, informal relationship that went back quite a few years. I covered John Wayne for LIFE and LOOK magazines during the filming of "The Alamo" (the first picture "Duke" directed), and the "The Commancheros."
Later, I photographed Wayne at home, in the private world he shared only with his family... and in his loneliness, with his hair down.
Within the confines of his home, of himself, this hard-drinking, chain-smoking symbol of the man of action was as gentle as any lover, father and grandfather: as sensitive to writers, artists and photographers of our recent Western past as any historian or poet.
Much has been said about Wayne's Americanism. To me, he was as American as Jane Fonda; as American as Ring Lardner, Sr. and Jr.; as American as John Ford the director, Wayne's idol and guru; as American as John Ford the Leftist politician, who descended from slaves.
This book is a tribute to the screen artist and the man at peak moments in his career. In it, I've tried to capture through pictures and words the legendary figure, the film giant who typified a particular rowdy Hollywood scene from the 1930's through the 1950's... the Hollywood of the young John Huston, Bogart and Flynn, which is forever past. And I've also tried to catch the real person behind the celluloid image: the film maker behind the scenes; the cowboy out of the saddle, the grand patriarch on his home grounds.