The Sea of Grass is a 1947 Western drama film set in the American Southwest.
It was directed by Elia Kazan and based on the 1936 novel of the same name by Conrad Richter.
The film stars Katharine Hepburn, Spencer Tracy, and Melvyn Douglas.
Kazan was reportedly displeased with the resulting film and discouraged people from seeing it.
In his autobiography, Kazan wrote that he had been excited at the prospect of filming The Sea of Grass, as he was looking forward to working on the Great Plains, "where the grass still grew from unbroken sod." However, the producers decided that the majority of the film would be shot against a process screen to use some of the existing "ten thousand feet" of 'sea of grass' stock footage, rather than sending the film crew on location. According to The Films of Katharine Hepburn, MGM had thousands of reels of footage of prairie. Kazan was extremely disappointed. He also did not like the costumes, which he did not get to see until late in the process. He thought the producers had approved clothes for Katharine Hepburn that in design and quantity did not fit the frontier environment, but changes were restricted due to production deadlines.
Reception
Although it received mostly tepid critical reviews, the movie was the most commercially successful of all the Hepburn-Tracy MGM films, making $3,150,000 in the US and Canada and $1,539,000 overseas.
This resulted in a profit to MGM of $742,000.
Kazan did not like his final product, and advised friends against seeing it
Besides Katherine Hepburn
a couple of Duke 'Pals' to look out for
Edgar Buchanan, Harry Carey,, Charles Trowbridge
Russell Hicks,Hank Worden
User Review
Lumbering Western Melodrama Slow On The Draw But Mostly On Target
22 March 2012 | by oldblackandwhite (North Texas sticks)
Quote from oldbwDisplay MoreThe Sea Of Grass is slow moving and talky, but not as bad as many have portrayed it. If I told you without cluing you in on the title I had a top-production 1947 MGM picture staring Spencer Tracy, Katharine Hepburn, and Melvyn Douglas, you would be expecting a glossy white telephone movie with a love triangle and lots of high melodrama from the three stars. That's essentially what you get here, only replace the white telephones with elk antler hat racks, the swank park avenue apartments with rambling ranch houses, and the busy New York street scenes with a dusty, one-horse, Nineteenth Century New Mexico town. The Sea Of Grass is a soap opera dressed up as a Western. If that is what you are expecting, instead of a traditional shoot-'em-up, you may be much more pleased with it.
The three stars deliver their usual stellar performances and three fine, textured character studies. Old, smoothie Douglas is particularly effective as a hard-edged attorney and later judge, cattle baron Tracy's stalwart opponent and Katherine's illicit lover, father of her second child. The large supporting cast shines, led by Edgar Buchanan and Harry Carry. Over rated Robert Walker is over-the-top as usual, but fun to watch. Production values are superb with terrific luminous, old nitrate black and white cinematography typical of the era, a rich Herbert Stodhart score, good, authentic costumes, great sets with some spectacular location scenery dovetailed in for long shots of Southwest grasslands and cliffs. Principally concentrating on relationships, the story moves along at a glacial pace, but the stars and an intelligent, if messy, script hold interest. Some of the dialog is a little preachy and overblown, but it is generally believable and satisfying. There is hardly any action until the last reels, and even then it is half-hearted and ultimately just peters out. The major subplot is the traditional Western theme of cattlemen versus homesteaders, but the eventual showdown comes early and is anti-climatic. Nevertheless, the movie is engrossing and enjoyable for the acting and the production values. It is refreshing to see a movie about the Old West that concentrates on decent real people and their real life problems instead of just dwelling on brawls between lowlifes who hang out in brothels and saloons.
The Sea Of Grass is not bad, but not as good as it should have been with all it had going for it. Director Elia Kazan reportedly said he was ashamed of the picture, and he should have been. The overly slow pacing, lack of spark between Tracy and Hepburn, and other problems clearly resulted from his flabby direction. With three top stars at the peaks of their careers, an intriguing story, and a big budget, The Sea Of Grass should have been a much better picture. And it would have been if Raoul Walsh had directed it.