The Outlaw is a 1943 American Western film, directed by
Howard Hughes and starring Jack Buetel, Jane Russell, Thomas Mitchell, and Walter Huston.
Hughes also produced the film, while Howard Hawks served as an uncredited co-director.
The film is notable as Russell's breakthrough role, turning the young actress into a sex symbol
and a Hollywood icon. Later advertising billed Russell as the sole star.
Production
Famous publicity still used to promote both the film and Russell
In 1941, while filming The Outlaw, Hughes felt that the camera did not do justice to Jane Russell's bust. He employed his engineering skills to design a new cantilevered underwire bra to emphasize her figure. Hughes added curved structural steel rods that were sewn into the brassiere under each breast cup. The rods were connected to the bra's shoulder straps. The arrangement allowed the breasts to be pulled upward and made it possible to move the shoulder straps away from the neck. The design allowed for a larger amount of bosom to be exposed. Contrary to many media reports afterward, Russell did not wear the bra during filming. According to her 1988 autobiography, she said the bra was so uncomfortable that she secretly discarded it. She wrote that the "ridiculous" contraption hurt so much that she wore it only a few minutes. She instead wore her own bra, padded the cups with tissue, tightened the shoulder straps, and returned to the set. She later said, "I never wore it in The Outlaw, and he never knew. He wasn't going to take my clothes off to check if I had it on. I just told him I did."
The famed bra ended up in a Hollywood museum—a false witness to the push-up myth.
Although the film was completed in February 1941, Hughes had trouble getting it approved by Hollywood Production Code Administration due to its emphasis on and display of Russell's breasts. The Production Administration set the standard for morally acceptable content in motion pictures and they ordered cuts to the film. Hughes reluctantly removed about 40 feet, or a half-minute, of footage that prominently featured Russell's bosom. However, Century-Fox cancelled their agreement with Hughes to release The Outlaw. Hughes stood to lose millions of dollars. Ever the resourceful businessman, he schemed to create a public outcry for his film to be banned. Hughes had all his managers call ministers, women's clubs and housewives telling them about the 'lewd picture' Hughes was about to release starring Jane Russell. The public responded by protesting and trying to have the film banned, which turned into just the publicity Hughes needed to create demand for the film and get it released. The resulting controversy generated enough interest to get The Outlaw into the theaters for one week in 1943, when it was pulled due to violations of the Production Code. It was finally released widely on April 23, 1946, when United Artists premiered the film in San Francisco, when it became a box office hit.
Hughes then sued Classic Film Museum, Inc. and Alan J. Taylor for unlawful distribution of Hell's Angels, Scarface, and The Outlaw. When it emerged that The Outlaw had fallen into the public domain in 1971 for lack of copyright renewal, the case was settled, with Classic Film Museum agreeing to stop distribution of the two copyrighted titles, and Hughes withdrawing its claim on The Outlaw.
The film was colorized (an alteration of a finished work of art) twice. The first colorization was released by Hal Roach Studios in 1988. The second colorized version, produced by Legend Films, was released to DVD on June 16, 2009, featuring both the newly colorized edition, and a restored black and white edition of the film. The new DVD version also featured an audio commentary by Jane Russell and Hughes' alleged wife, actress Terry Moore. Russell approved of the colorization, stating, "The color looked great. It was not too strong, like in many of the early colorized movies that made the films look cheap."
A curiosity of the film is the maudlin expression of affection between the Doc and Billy characters as they decide not to consummate the fateful gunfight at the end has a homosexual overtone to it, amplified by the almost comical whining expression of jealousy and rejection by the Pat character about Billy alienating and taking off with his buddy Doc. The foregoing theme also appears to be amplified by the Doc and Billy characters constantly spurning the voluptuous allure of the young Russell for the horse Red
User Review
Lust in the dust.
16 November 2003 | by Michael O'Keefe (Muskogee OK)
Quote from michaelHighly anticipated. Hyped to the hilt. Howard Hawks directs with the aid of Howard Hughes. This western depicts the relationships between Billy the Kid(Jack Buetel),Doc Holliday(Walter Huston) and Sheriff Pat Garrett(Thomas Mitchell). Cowboys, Indians and gun play are not the main feature...the debut of Jane Russell is! This movie was filmed in 1941, but it took two years to pass the censors due to the shameless display of Russell's ample assets(36D). Aircraft pioneer Hughes actually designed the bra that helps showcase Russell. This is also Buetel's debut; but Huston is the one to prove his screen greatness. Probably the first sex western. Of course the fade outs leave a lot to the imagination. Worth the ballyhoo.