Forgot to mention, The Shootist. Again.
Pictures of The Shootist here:-
The Shootist
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Forgot to mention, The Shootist. Again.
Pictures of The Shootist here:-
The Shootist
The film was shot in color, but it seems that the pictures were colored ... (in a funny way!)
Quote
Nevertheless, one must protest the colour of the jacket/buckskin Beloved Boone is shown wearing.
The film was shot in color, but it seems that the pictures were colored ... (in a funny way!)
As far as I remember from photography classes, the only colour film available was slide film. Transparency film was expensive to print to paper. All professional photographers used black and white film, even those who were on film sites for publicity purposes.
They shot in B&W and the images were hand-coloured without being able to resort to the finished product (the film) because it wasn't yet a finished product. (Technicolor itself involved the use of a red film, a blue film and a yellow film, which were combined in processing to produce the onscreen images.) In the B&W photography notes were taken as to the colour of the items worn, hair and eye colour of the subjects of the photos...but great artistic license was taken at times.
I know who has a complete set of Lobby Cards for A Distant trumpet. I was considering getting them but if not? let me know if anyone else is interested?
BTW, I just landed a near complete set (7) of lobby cards for: Vera Cruz. I THINK the only one missing is number 7.
If one might be so intrusive as to make inquiry - Ringo, sir, what does one do with a set of lobby cards? Are they suitable for framing, or are they kept in a portfolio-type display?
Just curious...and sort of lusting for those Rio Conchos ones in spite of the bilious green jacket Richard Boone is wearing...
Thanks for sharing these wonderful images, they are truly beautiful.
Thank you for these wonderful memories.
Who can tell me what is happened to Maria Granada?
Who can tell me what is happened to Maria Granada?
Romy very little is known about her, but you might find
this blog/forum interesting:-
A big thank you, Keith. Unfortunately, there is little information ...
As far as I remember from photography classes, the only colour film available was slide film. Transparency film was expensive to print to paper. All professional photographers used black and white film, even those who were on film sites for publicity purposes.
They shot in B&W and the images were hand-coloured without being able to resort to the finished product (the film) because it wasn't yet a finished product. (Technicolor itself involved the use of a red film, a blue film and a yellow film, which were combined in processing to produce the onscreen images.) In the B&W photography notes were taken as to the colour of the items worn, hair and eye colour of the subjects of the photos...but great artistic license was taken at times.
Hi P, I thought I had long replied to this but-on the LCs and such, I just like to keep them in large mylar sleeves and take them out once in awhile to look at and enjoy--same goes for the stills and such too. My collection still has a VERY long way to go to even compare with Bills excellent collection