Posts by ethanedwards

Participate now!

Don’t have an account yet? Register yourself now and be a part of our community!

    THE OKLAHOMA KID


    DIRECTED BY LLOYD BACON
    PRODUCED BY HAL WALLIS/ JACK L. WARNER
    MUSIC BY MAX STEINER
    WARNER BROS.



    INFORMATION FROM IMDb


    Plot Summary
    McCord's gang robs the stage carrying money to pay Indians for their land, and the notorious outlaw "The Oklahoma Kid" Jim Kincaid takes the money from McCord. McCord stakes a "sooner" claim on land which is to be used for a new town; in exchange for giving it up he gets control of gambling and saloons. When Kincaid's father runs for mayor, McCord incites a mob to lynch the old man whom McCord has already framed for murder..
    Written by Ed Stephan


    Cast
    James Cagney ... Jim Kincaid
    Humphrey Bogart ... Whip McCord
    Rosemary Lane ... Jane Hardwick
    Donald Crisp ... Judge Hardwick
    Harvey Stephens ... Ned Kincaid
    Hugh Sothern ... John Kincaid
    Charles Middleton ... Alec Martin
    Edward Pawley ... Doolin
    Ward Bond ... Wes Handley
    Lew Harvey ... Curley
    Trevor Bardette ... Indian Jack Pasco
    John Miljan ... Ringo
    Arthur Aylesworth ... Judge Morgan
    Irving Bacon ... Hotel Clerk
    Joe Devlin ... Keely
    Wade Boteler ... Sheriff
    and many more...


    Directed
    Lloyd Bacon


    Writing Credits
    Warren Duff ... (screen play) &
    Robert Buckner ... (screen play) and
    Edward E. Paramore Jr. ... (screen play) (as Edward E. Paramore)
    Wally Kline ... (from an original story by) (as Wally Klein)
    Jerome Odlum ... (uncredited)
    Norman Reilly Raine ... (uncredited)


    Produced
    Samuel Bischoff ... associate producer (uncredited)
    Hal B. Wallis ... executive producer (uncredited)
    Jack L. Warner ... executive producer (uncredited)


    Music
    Max Steiner


    Cinematography
    James Wong Howe ... (photography)


    Trivia
    Humphrey Bogart was widely quoted as saying that co-star James Cagney looked like "a mushroom" in his costume.


    This was James Cagney's first western. He would appear in only two more westerns--Run for Cover (1955) and Tribute to a Bad Man (1956)--both of them much later in his career.


    According to a contemporary magazine article, Hugh Sothern and Al J. Jennings had been participants in the Oklahoma Land Rush of 1895.


    Regarding Humphrey Bogart's "mushroom" jibe about James Cagney in his cowboy hat--Bogart said that Cagney looked like a mushroom--Cagney had a revenge of sorts. After seeing Bogie picking his nose in his car, he wrote a little rhyme: "In this little town of ours, people see all sorts of primps and poses . . . but movie stars in fancy cars shouldn't pick their famous noses". Apparently, according to Michael J. Fox in his excellent documentary about Cagney--James Cagney: Top of the World (1992)--he sent it to Bogart, but didn't receive a reply.


    Goofs
    Anachronisms
    In the scene with the baby, when Cagney is strumming a guitar, it is a "flat top" style acoustic, much too modern for the time period of the movie.


    Character error
    When the Kid visits Jane, he ties his horse to the bar in front of the house. A short time after that, Ned arrives. He's searching for the Kid. He is so eager to get him that (later in the movie) he even shoots at him (when the Kid is fleeing from the court house). But when Jane tells Ned that the Kid is not there, he believes her without asking about the horse, which he must have seen when he arrived.


    Continuity
    In the bar room, shortly after Whip McCord tells The Oklahoma Kid to give him back the Indian money, the Kid shoots Curley in the belly. A few moments later, Curley walks out as if he had never been shot.


    Miscellaneous
    Bogart's character claims to be from "the panhandle". But in what seems like strange casting. He has a strong New York accent.


    The Oklahoma Kid has a New York accent. The Oklahoma Kid who should sound like someone from Oklahoma. Instead, he sounds like someone from Hell's Kitchen in NYC. Curious casting.


    Spoilers
    Continuity
    The Kid shoots Indian Joe a short time after Joe and McCord's (three) other henchmen have lynched his father, so there's no need to print a 'wanted' circular for Indian Joe. And when the circulars for the lynchers are hung up, there is indeed no circular for Indian Joe. However, later in the movie, when Judge Hardwick and Alec Martin talk about the Kid, the Judge has four circulars, including one for Indian Joe.


    Memorable Quotes


    Filming Locations
    Iverson Ranch - 1 Iverson Lane, Chatsworth, Los Angeles, California, USA
    Warner Ranch, Calabasas, California, USA

    Villa Rides is a 1968 American western war film starring
    Yul Brynner in toupee in the title role and Robert Mitchum
    as an American adventurer and pilot of fortune.
    The supporting cast includes Charles Bronson as Fierro,
    Herbert Lom as Huerta, and Alexander Knox as Madero.


    Sam Peckinpah wrote the original script and was set to direct but Brynner
    didn't like his depiction of Villa as cruel and had Robert Towne rewrite the script
    and sought another director.
    The screenplay is based on the biography by William Douglas Lansford.



    Critical reception
    Film critic for the Chicago Sun-Times, Roger Ebert, gave the film a mixed review, writing,
    "You would think an interesting picture could be made about Pancho Villa and the Mexican Revolution,
    a subject most Americans know next to nothing about.
    But we learn nothing except that Pancho was a romantic fellow who had a mustache
    and liked to have people lined up three in a row and killed with one bullet.
    (That scene, incidentally, got a big laugh.) Frankly, this kind of movie is beginning to get to me.
    You can enjoy one, maybe, or two. Or you can enjoy a particularly well done shoot-em-up.
    But the Loop has been filled with one action-adventure after another for the last month,
    and if Villa Rides is not the worst, it is certainly not the best."


    Film critic A. H. Weiler wrote, "Yul Brynner, Robert Mitchum, cavalry,
    politicos and even the faint strains of "La Cucaracha" fail to disguise the fact
    that Villa Rides which dashed into the Forum Theater yesterday,
    is simply a sprawling Western and not history.
    As such it incessantly fills the screen with the din of pistols and rifles,
    and assorted warfare and wenching, shot in sharp color on rugged Spanish sites
    that strikingly simulate Mexico.
    Any resemblance to the 1912-1914 campaigns of the bandit-revolutionary
    in the cause of liberal President Madero and against General Huerta is purely coincidental."



    User Review


    Colorful portrayal of the Mexican revolutionary leader , entirely filmed on spectacular Spanish exteriors
    23 October 2012 | by ma-cortes (Santander Spain)


    .

    VILLA RIDES


    DIRECTED BY BUZZ KULIK
    MUSIC MY MICHAEL JARRE
    PARAMOUNT PICTURES



    INFORMATION FROM IMDb


    Plot Summary
    Pulled into the Mexican Revolution by his own greed, Texas gunrunner & pilot Lee Arnold joins bandit-turned-patriot Pancho Villa & his band of dedicated men in a march across Mexico battling the Colorados & stealing women's hearts as they go. But each has a nemesis among his friends: Arnold is tormented by Fierro, Villa's right-hand-man; and Villa must face possible betrayal by his own president's naiveté.
    Written by Steve83


    Cast
    Yul Brynner ... Pancho Villa
    Robert Mitchum ... Lee Arnold
    Maria Grazia Buccella ... Fina (as Grazia Buccella)
    Charles Bronson ... Rodolfo Fierro
    Herbert Lom Herbert Lom ...
    General HuertaRobert Viharo ...
    Urbina
    Frank Wolff ... Ramirez
    Alexander Knox ... President Madero
    Robert Carricart ... Don Luis (as Bob Carricart)
    Andrés Monreal ... Captain Herrera
    Fernando Rey ... Fuentes
    Julio Peña ... General
    José María Prada ... Major
    Regina de Julián ... Lupita
    Antoñito Ruiz ... Juan (as Antonio Ruiz)
    Jill Ireland ... Girl in Restaurant
    Diana Lorys ... Emilita
    Rock Brynner ... Villaista (uncredited)
    and many more...


    Directed
    Buzz Kulik


    Writing Credits
    Robert Towne ... (screenplay) and
    Sam Peckinpah ... (screenplay)
    William Douglas Lansford ... (adaptation) (novel)
    Produced
    Ted Richmond ... producer


    Music
    Maurice Jarre


    Cinematography
    Jack Hildyard ... director of photography


    Trivia
    This is the first movie where Charles Bronson appears with his trademark mustache.


    Robert Mitchum did not get along with Yul Brynner during filming.
    He later said he could not understand why Charles Bronson was famous.


    First movie to feature real-life husband and wife Charles Bronson and Jill Ireland.


    According to Producer Norbert Saada's interview in documentary "Once Upon A Time Sergio Leone", Italian director Sergio Leone was offered to direct, but turned it down, because he did not like the cast of Yul Brynner in the title role.


    Yul Brynner was on Variety's list of Top Ten Overpriced Stars in 1968.


    Sam Peckinpah wrote the original script and was set to direct, but Yul Brynner didn't like the script because it made Pancho Villa - a man who had given standing orders to shoot all prisoners - "look like a bad guy". Peckinpah was fired and his script was rewritten by Robert Towne to conform to Brynner's idea of what Villa was like.


    Yul Brynner & Charles Bronson appeared together 8 years before the release of this film in the classic western "The Magnificent Seven".


    One of the extras in the film, playing a Mexican guerrilla girl, is Turkish singer Seyyal Taner. She would later receive notoriety for scoring no points in the 1987 Eurovision song contest.


    The first of three consecutive movies which Robert Mitchum made in Europe. This was filmed in Spain , and he then headed to Italy for Edward Dmytryk's " Anzio" and followed that with a brief stint on Joe Losey 's " Secret Ceremony " in London.


    Robert Mitchum 's son, James , and Yul Brynner's son, Rock, had both been students at Trinity College Dublin in 1966, the year before this movie began filming


    Goofs
    Anachronisms
    High-tension power wires are visible near Conejos just after Arnold lights his cigar.


    Audio/visual unsynchronised
    A machine gun nest ambushes charging Mexicans by cutting down the first three over a wall with a short burst, but as hordes more come over the wall, the machine gun doesn't fire even though the sounds of it firing continue. The gun obviously jammed but the footage was used anyhow with firing sounds dubbed into it.


    Urbina's mouth says "Yes" at the end of the condolence scene, but there is no sound.


    Character error
    The "boy" who takes Villa's watch calls him "my General", but Villa is a colonel.


    Continuity
    Condition of the paint on the left side of the fuselage near the tail just before the flight training scene.


    Near the end of the movie they show a street scene that is supposed to be El Paso Texas
    but on the side of a building it advertises the Oklahoma Wigwam the newspaper from the book and movie Cimarron.


    In the first flight with Arnold & Fierro, they observe the train approaching a causeway over a valley at speed. They return to Chupadero to report to Villa. The next day, they fly over the train again, which is a few feet past where they saw it before crossing the same valley.


    Revealing mistakes
    Helicopter rotor wash visible in the trees during the Conejos cavalry charges.


    Obvious ropes due to flying hay in the wall scene.


    Lee Arnold is hit in the back, on his left shoulder blade, with the flat side of a rifle butt, yet he fell down as though knocked out and remained unconscious for the rest of the battle.


    Spoilers
    Continuity
    Arnold & Villa share a cell, but when they emerge to the firing squad, they appear from different doors on different levels.


    Factual errors
    Repeated reference is made to the "Conejos hanging", but the hanging for which Villa was guilty of inaction happened in Chupadero. There was no hanging shown or implied in Conejos.


    Memorable Quotes


    Filming Locations
    El Casar de Talamanca, Guadalajara, Castilla-La Mancha, Spain
    Durango, Mexico
    Chihuahua, Mexico
    Ciudad Obregon, Sonora, Mexico
    Sonora, Mexico
    Castle of Santa Cecilia, Guanajuato City, Mexico
    Madrid, Spain
    Spain


    Watch the Movie


    [extendedmedia]

    [/extendedmedia]

    Dead Man's Gun was a western anthology series that ran on Showtime from 1997 to 1999.
    The series followed the travels of a gun as it passed to a new character in each episode.
    The gun would change the life of whoever possessed it.


    Each episode was narrated by Kris Kristofferson. The executive producer was Henry Winkler.



    User Review


    The S & W is the real star
    13 July 2004 | by skoyles (Calgary AB Canada)

    Quote from SKO

    A dark and depressing Western repertory series centred around what appears to be a beautiful S&W Russian (or Schofield) single action revolver, probably .44 Russian calibre. This in itself makes it worth watching at least once to see a Western featuring something other than the ubiquitous 1873 Colt Single Action Army revolver. "Dead Man's Gun" comes off as something bred from old 1950s Western morality series, Richard Boone's repertory series and a large chunk of "Twilight Zone" or "Outer Limits". Several episodes have a twist at the end with a sting in the tail. Strong stars such as John Ritter,John Glover and producer Henry Winkler turn in fine performances, but maybe the handgun is the real star. The cynical and often sardonic look at human nature may well be accurate but can get one down after a few episodes.

    DEAD MANS GUN
    (TV Series)


    DIRECTED BY
    EXECUTIVE PRODUCER- HENRY WINKLER
    SUGAR ENTERTAINMENT LTD
    MGM TELEVISION



    INFORMATION FROM IMDb


    Plot Summary
    A cursed revolver brings violence to a variety of owners in the American West.


    Set in the Old West, this anthology follows the eponymous artifact,
    a handsome yet cursed gun that brings either disaster or fortune to whomever possesses it.
    In some cases in the former, the gun's more villainous owners
    are often killed at the end of the episode,
    though there are some points where they live and thusly suffer for their misdeeds.


    Similar to shows like The Twilight Zone and The Outer Limits, there are often twist endings to the stories. For example, in the episode, "The Collector", the main character discovers that his servant is actually the infamous criminal, El Lobo, who then scalps him. However, the series finale, "A Just Reward", gives a twist ending to the series as a whole when it is ultimately revealed that the gun's original owner was the Grim Reaper.



    Series Cast
    Kris Kristofferson ... Narrator (41 episodes, 1997-1999)
    Jim Shield ... Frank Sparks / ... (3 episodes, 1998-1999)
    Chilton Crane ... Emma Spence / ... (3 episodes, 1998-1999)
    Robert Thurston ... Bank Manager / ... (3 episodes, 1997-1998)
    Zook Matthews ... Brennan / ... (3 episodes, 1997-1999)
    Dave 'Squatch' Ward ... Joe Bob Willis / ... (3 episodes, 1997-1998)
    Danny Virtue ... John Taylor / ... (3 episodes, 1997-1998)
    Jerry Walliser ...
    Bar Fly #1 / ... (3 episodes, 1997-1999)
    Gary Lauder ... Angry Husband / ... (3 episodes, 1997-1999)
    John Payne ... Pirate #1, Actor / ... (2 episodes, 1997-1998)
    Henry Winkler ... Hangman / ... (2 episodes, 1997-1998)
    Edward Asner ... Jebusi McKinney (1 episode, 1997)
    and many, many more...


    Series Directed
    Brenton Spencer ... (5 episodes, 1997-1998)
    Sturla Gunnarsson ... (4 episodes, 1997-1999)
    Neill Fearnley ... (3 episodes, 1997-1998)
    René Bonnière ... (2 episodes, 1997-1998)
    William Gereghty ... (2 episodes, 1997-1998)
    Brad Turner ... (2 episodes, 1997-1998)
    Joseph L. Scanlan ... (2 episodes, 1997)
    Paul Etherington ... (2 episodes, 1998-1999)
    Ken Girotti ... (2 episodes, 1998-1999)
    Ken Jubenvill ... (2 episodes, 1998)
    Charles Wilkinson ... (2 episodes, 1998)
    and many more...


    Series Produced
    David Dewar ... line producer / coordinating producer (31 episodes, 1997-1999)
    Ian Hay ... associate producer (22 episodes, 1998-1999)
    Ogden Gavanski ... line producer (19 episodes, 1997-1998)
    Larry Sugar ... producer (18 episodes, 1997-1998)
    Henry Winkler ... executive producer (17 episodes, 1997-1998)
    and many more...


    Trivia
    The origin of the cursed revolver is not revealed until the series finale, "A Just Reward," at the end of season two.


    Filming Locations
    Vancouver, British Columbia, Canada
    Fort Steele, British Columbia, Canada
    Maple Ridge, British Columbia, Canada
    Pitt Meadows, British Columbia, Canada

    A Gunfight is a Western movie from 1971 directed by
    Lamont Johnson, starring Kirk Douglas and Johnny Cash.


    The film was financed by the Jicarilla Apache Tribe,
    although there are no leading Native American characters in the story.



    User Review


    Whoever wins loses.
    18 January 2013 | by Spikeopath (United Kingdom)


    A GUNFIGHT


    DIRECTED BY LAMONT JOHNSON
    CO-PRODUCED BY KIRK DOUGLAS
    HARVEST
    THE JACARILLA APACHE TRIBE OF INDIANS
    JOEL PRODUCTIONS
    THOUROUGHBRED PRODUCTIONS
    PARAMOUNT PICTURES



    INFORMATION FROM IMDb


    Plot Summary
    Will Tenneray and Abe Cross are two famous gunfighters who are getting old and need money. Cross tried his luck at gold prospecting but failed. Tenneray works at the local saloon where he capitalizes on his past fame to "sucker fools into buying drinks". The town expects them to become enemies and kill each other in a gunfight but the two aging gunfighters start liking one another. Desperate for money, Tenneray suggests to Cross to put on a show for the townsfolk and fight in an arena for money. The proceeds from the ticket sales would go to the winner of the gunfight. Both men like the idea of a paid show but hate the possibility of one of them killing the other.
    Written by nufs68


    Cast
    Kirk Douglas ... Will Tenneray
    Johnny Cash ... Abe Cross
    Jane Alexander ... Nora Tenneray
    Karen Black ... Jenny Simms
    Dana Elcar ... Marv Green
    Robert J. Wilke ... Marshal Tom Cater
    Keith Carradine ... The Young Gunfighter
    Eric Douglas ... Bud Tenneray
    Paul Lambert ... Ed Fleury
    Raf Vallone ... Francisco Alvarez
    James D. Cavasos ... Newt Hale
    Philip L. Mead ... Kyle Briggs
    George Le Bow ... Dekker
    John J. Wallwork ... Toby Leach
    Neil Davis ... Canbury
    Dave Burleson ... Poker Player
    Douglas Doran ... Teller
    John Gill ... Foreman
    Timothy Tuinstra ... Joey
    Dick O'Shea ... 2nd Poker Player
    R.C. Bishop ... MacIntyre
    Donna Dillenschneider ... Saloon Hostess
    Paula Dillenschneider ... Saloon Hostess


    Directed
    Lamont Johnson


    Writing Credits
    Harold Jack Bloom ... (written by)


    Produced
    Harold Jack Bloom ... producer
    Saul Holiff ... associate producer
    A. Ronald Lubin ... producer
    Kirk Douglas ... executive producer (uncredited)


    Music
    Laurence Rosenthal


    Cinematography
    David M. Walsh ... director of photography


    Trivia
    The film received $2 million in financing from the Jicarilla Apache tribe in order to keep production in the United States, rather than abroad.


    Feature film debut of Eric Douglas, son of Kirk Douglas.


    Feature film debut of Keith Carradine, son of actor John Carradine.


    A clip from this film featuring Johnny Cash as Abe Cross saying "You stay the hell away from me, ya hear?" featured in Cash's final music video before his death. The video was the widely acclaimed "Hurt" directed by Mark Romanek


    The film had been banned by the Mexican Film Bureau from Mexican territory because it presented a false image of Mexico and the Mexican people. However, there is no information that the production company intended to shoot the film in Mexico.


    Goofs
    unknown


    Memorable Quotes


    Filming Locations
    Eaves Movie Ranch - 105 Rancho Alegre Road, Santa Fe, New Mexico, USA
    Santa Fe, New Mexico, USA
    Madrid Bullring, Madrid, SpainWatch the Movie


    [extendedmedia]

    [/extendedmedia]

    Wichita Town is a half-hour western television series starring
    Joel McCrea, Jody McCrea, Carlos Romero, and George Neise that aired on NBC
    from September 30, 1959, until April 6, 1960.


    Joel McCrea played Marshal Mike Dunbar, in charge of keeping the peace the booming cowtown of Wichita, Kansas.
    His deputies were Ben Matheson, played by McCrea's real life son, Jody, and Rico Rodriquez,
    portrayed by Carlos Romero. Making occasional appearances were the town doctor,
    Nat Wyndham (played by George Neise), the blacksmith,
    Aeneas MacLinahan (played by Robert Anderson), and the bartender in the local saloon,
    Joe Kingston, played in six episodes by Robert Foulk.


    The model for shows such as these had already been laid out by other western programs such as
    Gunsmoke, Lawman, and The Life and Legend of Wyatt Earp, so Wichita Town may not have been unique
    in its plotting and structure.


    The two most unusual features about the series were the presence of Joel McCrea,
    a favorite of Western movie audiences for his performance in such films as
    Union Pacific, Buffalo Bill, and Ramrod,
    and the fact that his real life son was in Wichita Town, but did not play his son.
    Wichita Town was produced by Mirisch Company and
    Joel McCrea's Production company for Four Star Television
    and aired for a single season.



    User Review


    a sturdy marshal (joel McCrea) watches over the town of Wichita, Kansas in the 1880s
    21 March 2006 | by dougbrode (United States)



    Quote from doug

    This short lived western, which appeared at a time when the airwaves were so glutted with cowboy shows that some had to fall through the cracks, has developed something of a cult reputation as being one of the really good ones that somehow got away. In truth, much of it was standard stuff, with the decent minded lawman (Joel McCrea) and his young deputy (Jody McCrea), pretty much the same formula as you could find over at ABC with Lawman (Wichita Town was on NBC). There was a nice feel for the cowtown, however, and several intriguing elements that are worth noting. For one thing, though the father and son team of the McCreas were featured, they didn't play father and son, though they were an older and younger man in a father-son style relationship. Second, though the characters' names were fictional, they were supposed to be Wyatt Earp and Bat Masterson. (Young Jody's character's name was even "Ben Masters," allowing for a hint at the historicity they had to suggest rather than admit owing to the fact that Hugh O'Brian and Alan Dinehart had already done the story of that friendship over at ABC on The Life and Legend of Wyatt Earp. Perhaps that helps explain why Wichita Town never caught on - there was a sense of deja vu to it all, which doesn't mean that it wasn't good, only that it arrived a little late in the TV western game. Apparently, McCrea had wanted to play Earp on TV. One of his best B+ westerns of the mid-fifties was Wichita Town, in which he played Earp and Keith Larson (later in such TV westerns as Brave Eagle and Northwest Passage) was young Masterson. That film opened in theatres only months before the ABC Earp/Masterson series premiered. So McCrea backed off and then gave it a noble try with this one-season wonder. If hardly a classic of its type, this was a highly watchable variation on what then was an all too common theme, with McCrea bringing a certain substance to the role that most of the young cowboy stars then on the air couldn't come close to.

    Wichita Town is a half-hour western television series starring
    Joel McCrea, Jody McCrea, Carlos Romero, and George Neise that aired on NBC
    from September 30, 1959, until April 6, 1960.


    Joel McCrea played Marshal Mike Dunbar, in charge of keeping the peace the booming cowtown of Wichita, Kansas.
    His deputies were Ben Matheson, played by McCrea's real life son, Jody, and Rico Rodriquez,
    portrayed by Carlos Romero. Making occasional appearances were the town doctor,
    Nat Wyndham (played by George Neise), the blacksmith,
    Aeneas MacLinahan (played by Robert Anderson), and the bartender in the local saloon,
    Joe Kingston, played in six episodes by Robert Foulk.


    The model for shows such as these had already been laid out by other western programs such as
    Gunsmoke, Lawman, and The Life and Legend of Wyatt Earp, so Wichita Town may not have been unique
    in its plotting and structure.


    The two most unusual features about the series were the presence of Joel McCrea,
    a favorite of Western movie audiences for his performance in such films as
    Union Pacific, Buffalo Bill, and Ramrod,
    and the fact that his real life son was in Wichita Town, but did not play his son.
    Wichita Town was produced by Mirisch Company and
    Joel McCrea's Production company for Four Star Television
    and aired for a single season.



    User Review


    a sturdy marshal (joel McCrea) watches over the town of Wichita, Kansas in the 1880s
    21 March 2006 | by dougbrode (United States)



    Quote from doug

    This short lived western, which appeared at a time when the airwaves were so glutted with cowboy shows that some had to fall through the cracks, has developed something of a cult reputation as being one of the really good ones that somehow got away. In truth, much of it was standard stuff, with the decent minded lawman (Joel McCrea) and his young deputy (Jody McCrea), pretty much the same formula as you could find over at ABC with Lawman (Wichita Town was on NBC). There was a nice feel for the cowtown, however, and several intriguing elements that are worth noting. For one thing, though the father and son team of the McCreas were featured, they didn't play father and son, though they were an older and younger man in a father-son style relationship. Second, though the characters' names were fictional, they were supposed to be Wyatt Earp and Bat Masterson. (Young Jody's character's name was even "Ben Masters," allowing for a hint at the historicity they had to suggest rather than admit owing to the fact that Hugh O'Brian and Alan Dinehart had already done the story of that friendship over at ABC on The Life and Legend of Wyatt Earp. Perhaps that helps explain why Wichita Town never caught on - there was a sense of deja vu to it all, which doesn't mean that it wasn't good, only that it arrived a little late in the TV western game. Apparently, McCrea had wanted to play Earp on TV. One of his best B+ westerns of the mid-fifties was Wichita Town, in which he played Earp and Keith Larson (later in such TV westerns as Brave Eagle and Northwest Passage) was young Masterson. That film opened in theatres only months before the ABC Earp/Masterson series premiered. So McCrea backed off and then gave it a noble try with this one-season wonder. If hardly a classic of its type, this was a highly watchable variation on what then was an all too common theme, with McCrea bringing a certain substance to the role that most of the young cowboy stars then on the air couldn't come close to.

    WICHITA TOWN


    FOUR STAR PRODUCTIONS
    MIRISCH/McCREA PRODUCTIONS
    RREVUE STUDIOS
    NATIONAL BROADCASTING COMPANY (NBC)



    INFORMATION FROM IMDb


    Plot Summary
    Wichita, Kansas, USA was a growing town after the American Civil War.
    Helping the town grow were Marshal Mike Dunbar and his deputies, Ben Matheson and Rico Rodriguez.
    Also appearing were the town doctor, Nat Wyndham, the blacksmith, Aeneas MacLinahan,
    and the bartender in the local saloon, Joe Kingston.
    Written by J.E. McKillop


    Series Cast
    Joel McCrea ... Marshal Mike Dunbar / ... (26 episodes, 1959-1960)
    Jody McCrea ... Ben Matheson / ... (22 episodes, 1959-1960)
    Robert Foulk ... Joe Kingston (6 episodes, 1959-1960)
    Robert Anderson ... Aeneas MacLinahan (5 episodes, 1959-1960)
    George N. Neise ... Dr. Nat Wyndham (5 episodes, 1959-1960)
    Carlos Romero ... Rico Rodriguez / ... (4 episodes, 1959-1960)
    Charles Seel Charles Seel ...
    Charlie Cruter / ... (3 episodes, 1959-1960)
    Dave Willock ... Quincy (3 episodes, 1959-1960)
    Frank Ferguson ... Mayor Eric Holbein (2 episodes, 1959-1960)
    Pitt Herbert ... Art Sutton / ... (2 episodes, 1959)
    James Coburn James Coburn ...
    Fletcher / ... (2 episodes, 1959-1960)
    Cliff Fields ... Gregg / ... (2 episodes, 1960)
    John McIntire ... Frank Matheson (2 episodes, 1959-1960)
    Earle Hodgins ... Old Man / ... (2 episodes, 1959)
    John Pickard ... Bain (2 episodes, 1959-1960)
    I. Stanford Jolley ... Hank Balenger / ... (2 episodes, 1960)
    Suzanne Lloyd ... Laura / ... (2 episodes, 1960)
    Gene Evans ... Otis Stockett (1 episode, 1960)
    and many more...


    Series Directed
    R.G. Springsteen ... (3 episodes, 1959-1960)
    Jesse Hibbs ... (2 episodes, 1959-1960)
    Jerry Hopper ... (2 episodes, 1959)
    Frank Baur ... (1 episode, 1959)
    Walter Grauman ... (1 episode, 1960)


    Series Writing Credits
    Frank Davis ... (1 episode, 1959)
    Eric Freiwald ... (2 episodes, 1959-1960)
    David P. Harmon ... (1 episode, 1959)
    Ellis Kadison ... (1 episode, 1959)
    Lawrence Menkin ... (1 episode, 1960)
    Paul Savage ... (3 episodes, 1959-1960)
    Robert Schaefer ... (2 episodes, 1959-1960)
    Richard Alan Simmons ... (1 episode, 1959)
    Barney Slater ... (1 episode, 1960)
    Daniel B. Ullman ... (1 episode, 1959)


    Series Produced
    Richard V. Heermance ... associate producer (5 episodes, 1959-1960)
    Frank Baur ... producer (unknown episodes)


    Series Music
    Hans J. Salter ... (7 episodes, 1959-1960) Series


    Cinematography
    Carl E. Guthrie ... (4 episodes, 1960)
    Charles Burke ... (3 episodes, 1959)
    Guy Roe ... (1 episode, 1959)


    Filming Locations
    Iverson Ranch - 1 Iverson Lane, Chatsworth, Los Angeles, California, USA


    Watch the Intro


    [extendedmedia]


    [/extendedmedia]

    WICHITA TOWN


    FOUR STAR PRODUCTIONS
    MIRISCH/McCREA PRODUCTIONS
    RREVUE STUDIOS
    NATIONAL BROADCASTING COMPANY (NBC)



    For continuity, all discussion
    please post here:-
    Joel McCrea-Wichita Town


    INFORMATION FROM IMDb


    Plot Summary
    Wichita, Kansas, USA was a growing town after the American Civil War.
    Helping the town grow were Marshal Mike Dunbar and his deputies, Ben Matheson and Rico Rodriguez.
    Also appearing were the town doctor, Nat Wyndham, the blacksmith, Aeneas MacLinahan,
    and the bartender in the local saloon, Joe Kingston.
    Written by J.E. McKillop


    Series Cast
    Joel McCrea ... Marshal Mike Dunbar / ... (26 episodes, 1959-1960)
    Jody McCrea ... Ben Matheson / ... (22 episodes, 1959-1960)
    Robert Foulk ... Joe Kingston (6 episodes, 1959-1960)
    Robert Anderson ... Aeneas MacLinahan (5 episodes, 1959-1960)
    George N. Neise ... Dr. Nat Wyndham (5 episodes, 1959-1960)
    Carlos Romero ... Rico Rodriguez / ... (4 episodes, 1959-1960)
    Charles Seel Charles Seel ...
    Charlie Cruter / ... (3 episodes, 1959-1960)
    Dave Willock ... Quincy (3 episodes, 1959-1960)
    Frank Ferguson ... Mayor Eric Holbein (2 episodes, 1959-1960)
    Pitt Herbert ... Art Sutton / ... (2 episodes, 1959)
    James Coburn James Coburn ...
    Fletcher / ... (2 episodes, 1959-1960)
    Cliff Fields ... Gregg / ... (2 episodes, 1960)
    John McIntire ... Frank Matheson (2 episodes, 1959-1960)
    Earle Hodgins ... Old Man / ... (2 episodes, 1959)
    John Pickard ... Bain (2 episodes, 1959-1960)
    I. Stanford Jolley ... Hank Balenger / ... (2 episodes, 1960)
    Suzanne Lloyd ... Laura / ... (2 episodes, 1960)
    Gene Evans ... Otis Stockett (1 episode, 1960)
    and many more...


    Series Directed
    R.G. Springsteen ... (3 episodes, 1959-1960)
    Jesse Hibbs ... (2 episodes, 1959-1960)
    Jerry Hopper ... (2 episodes, 1959)
    Frank Baur ... (1 episode, 1959)
    Walter Grauman ... (1 episode, 1960)


    Series Writing Credits
    Frank Davis ... (1 episode, 1959)
    Eric Freiwald ... (2 episodes, 1959-1960)
    David P. Harmon ... (1 episode, 1959)
    Ellis Kadison ... (1 episode, 1959)
    Lawrence Menkin ... (1 episode, 1960)
    Paul Savage ... (3 episodes, 1959-1960)
    Robert Schaefer ... (2 episodes, 1959-1960)
    Richard Alan Simmons ... (1 episode, 1959)
    Barney Slater ... (1 episode, 1960)
    Daniel B. Ullman ... (1 episode, 1959)


    Series Produced
    Richard V. Heermance ... associate producer (5 episodes, 1959-1960)
    Frank Baur ... producer (unknown episodes)


    Series Music
    Hans J. Salter ... (7 episodes, 1959-1960) Series


    Cinematography
    Carl E. Guthrie ... (4 episodes, 1960)
    Charles Burke ... (3 episodes, 1959)
    Guy Roe ... (1 episode, 1959)


    Filming Locations
    Iverson Ranch - 1 Iverson Lane, Chatsworth, Los Angeles, California, USA


    Watch the Intro


    [extendedmedia]

    [/extendedmedia]

    Young Guns is a 1988 American western film directed by
    Christopher Cain and written by John Fusco.
    The film is the first installment in the Young Gun film series and the first to be produced by
    Morgan Creek Productions.
    The film stars Emilio Estevez, Kiefer Sutherland, Lou Diamond Phillips,
    Charlie Sheen, Dermot Mulroney, Casey Siemaszko, Terence Stamp,
    Terry O'Quinn, Brian Keith, and Jack Palance.


    Young Guns is a retelling of the adventures of Billy the Kid during the Lincoln County War,
    which took place in New Mexico during 1877–78.
    It was filmed in and around New Mexico. Historian Dr. Paul Hutton called Young Guns
    the most historically accurate of all prior Billy the Kid films.
    It opened no. 1 at the box office, eventually earning $45 million from a moderate $11 million budget.
    A sequel, Young Guns II, was released in 1990.


    Reception
    The movie received mostly negative reviews from critics.
    It currently holds a 40% rating on Rotten Tomatoes based on 25 reviews.


    The movie was a box office hit. It grossed $45.6 million domestically



    User Review


    Interesting modern western relies a little too heavily on cliche
    18 July 2001 | by bobc-5 (Silver Spring, MD)


    YOUNG GUNS


    DIRECTED & PRODUCED BY CHRISTOPHER CAIN
    A MORGAN CREEK PRODUCTION
    TWENTIETH CENTURY FOX FILM CORPORATION



    INFORMATION FROM IMDb


    Plot Summary
    1878 in New Mexico: John Tunstall picks up young gun men from the road to have them work on his ranch, but also to teach them reading and to civilize them. However he's a thorn in the side of the rich rancher Murphy, as he's a competitor in selling cattle. One day he's shot by Murphy's men. Judge Wilson can't do anything, since Sheriff Brady is one of Murphy's men. But attorney Alex persuades him to constitute Tunstall's young friends to Deputies and give them warrants of arrest for the murderers. Instead of arresting them, William Bonney just shoots them down. Soon the 5 guys become famous and William gets the name "Billie the Kid" - but they're also chased by dozens of Murphy's men and the army. The people however honor him as fighter for justice.
    Written by Tom Zoerner


    Cast
    Emilio Estevez ... William H. 'Billy the Kid' Bonney
    Kiefer Sutherland ... Josiah Gordon 'Doc' Scurlock
    Lou Diamond Phillips ... 'Jose' Chavez y Chavez
    Charlie Sheen ... Richard 'Dick' Brewer
    Dermot Mulroney ... Dirty Steve Stephens
    Casey Siemaszko ... Charles 'Charley' Bowdre
    Terence Stamp ... John Tunstall
    Jack Palance ... Lawrence G. Murphy
    Terry O'Quinn ... Alex McSween
    Sharon Thomas Cain ... Susan McSween (as Sharon Thomas)
    Geoffrey Blake ... J. McCloskey
    Alice Carter ... Yen Sun
    Brian Keith ... Buckshot Roberts
    Thomas Callaway ... Texas Joe Grant (as Tom Callaway)
    Patrick Wayne ... Patrick Floyd 'Pat' Garrett
    Lisa Banes ... Mallory
    Sam Gauny ... Morton
    Cody Palance ... Baker
    Gadeek ... Henry Hill
    Victor Izay ... Justice Wilson
    Allen Keller ... John Kinney (as Allen Robert Keller)
    Craig Erickson ... Sheriff George Peppin (as Craig M. Erikson)
    Jeremy Lepard ... Jimmy Dolan (as Jeremy H. Lepard)
    Danny Kamin ... Sheriff Brady (as Daniel Kamin)
    Richela Renkun ... Bargirl
    Pat Finn-Lee ... Janey (as Pat Lee)
    Gary Kanin ... Colonel Nathan Dudley
    Forrest Broadley ... Rynerson
    Alan Tobin ... Bartender
    Joey Hamlin ... Deputy Hindman (as Joey Hanks)
    Loyd Lee Brown ... Soldier
    Elena Parres ... Manuela's Mother
    and many more...


    Directed
    Christopher Cain


    Writing Credits
    John Fusco ... (written by)


    Produced
    Christopher Cain ... producer
    John Fusco ... executive producer
    James G. Robinson ... executive producer
    Joe Roth ... producer
    Paul Schiff ... co-producer
    Irby Smith ... co-producer


    Music
    Brian Banks
    Anthony Marinelli


    Cinematography
    Dean Semler ... director of photography



    Trivia
    In the final battle, on a day he wasn't shooting, Emilio Estevez dressed as a bad guy and fought along with them.


    Emilio Estevez was very depressed throughout the shoot because he had recently broken up with his girlfriend. One night, Lou Diamond Phillips decided to play a prank on him in an effort to cheer him up. Phillips had the wardrobe department put make-up on a sheep, dress it up, and put in Emilio's room.


    It is confirmed in an audio commentary by Lou Diamond Phillips, Dermot Mulroney and Casey Siemaszko that Tom Cruise has a uncredited cameo in the shootout at the McSween House. His face clearly appears on screen in slow motion when he is killed.


    In an impressive nod to historical accuracy, when Col. Nathan Dudley arrives at the siege of the McSween house with a detachment of cavalry, the troopers are correctly portrayed by African Americans. The U.S. Army was segregated at this time and New Mexico was policed by the 9th U.S. Cavalry, a unit composed of black soldiers under the command of white commissioned officers and black non-commissioned officers.


    Like virtually all movies about the events surrounding the Lincoln County War, John Tunstall is incorrectly depicted as an older, sophisticated man. In reality, John Tunstall was only 24 years old when he was murdered. He was in fact younger than most of the Regulators. By contrast, Josiah "Doc" Scurlock was 31 at the time of Tunstall's murder and Richard "Dick" Brewer was 27. Only the youngest regulator, William H. Bonney, aka Billy the Kid was younger, being 20 at the time of the Lincoln County War.


    Lou Diamond Phillips stated in the commentary that he went to a meeting with the producers for what he thought was an audition. After explaining his character to him, he had thought they wanted him to act out a scene. After an odd pause John Fusco the producer said "well?" - Phillips realized this wasn't an audition but they were offering him the part of Chavez.


    Tom Cruise was disguised with a mustache and is hiding behind the barricades on the street during the shootout.


    In one scene Billy is reading a report that claims he is a lefty. To this he replies, "I ain't left-handed." This is a reference to films, books and media wrongly claiming Billy the Kid was left-handed based on the tintype photograph of him (tintypes produce a reversed image), making Billy look like he used his left hand to shoot.


    It is widely believed that Billy the Kid's real name was William H. Bonney. However, the film is correct in listing that as only one of his aliases, and giving his real name as Henry McCarty.


    In the scene where the men are going through the Indian Village (Spirit World), Kiefer Sutherland's character "Doc" is shown in the front of the group with a cover on his face, but it is not Kiefer Sutherland. He left that morning before the scene was shot, due to the birth of his child.


    Charlie Sheen was reportedly a terrible horse rider. Throughout the shoot he couldn't keep his balance on the horse and fell off several times. After the shoot out with Henry Hill, his horse took off and he had no clue how to make it stop.


    Dialogue by Casey Siemaszko's character is sampled in the seminal 1994 hip-hop song "Regulate" by Warren G. and Nate Dogg, but according to the DVD commentary Siemaszko had no clue that this happened nor had he heard of the song itself.


    In the scene where Billy is having Doc write a letter to the Governor, Emilio Estevez wanted to make it look like he was making the speech off the top of his head, so the crew made a cue card for him to read. If you look closely, you can actually see his eyes moving while he is reciting the speech.


    In the audio commentary Casey Siemaszko reveals the prostitute Charlie goes to see was actually a longer scene, and the end of the scene he tells the guys the woman was his mother.


    The fight with Buckshot Roberts is broadly true to the historical record; however, there are some things left out. For starters, Roberts was in front of a small house when the battle started, not an outhouse. He also was shot and slowly dying from a gut wound he'd received from Charlie Bowdre's rifle at the beginning of the fight. Also Billy's attempt to take Roberts was almost successful. Billy counted the number of shots Roberts had fired and, figuring he was empty, charged the house doorway. Billy made it to Roberts himself and stuck his rifle in Roberts' face. But then Roberts slammed his own rifle butt into Billy's stomach and knocked the wind clean out of him. Billy rolled away from the house as Roberts retreated inside. It was inside the house that Roberts found the rifle he used to kill Dick Brewer by nearly blowing his head clean off. Roberts died from his wound the next day and he and Dick Brewer were buried at the site of the battle.


    During the shoot out at the bar, the ammo blanks were packed with ceramic plaster for a louder sound. While filming the scene pieces of hot plaster were hitting the actors. Emilio Estevez was actually hit in the face, causing filming to stop for a short period while he got checked over. Dermot Mulroney was also shot in the shoulder blade.


    Contrary to the depiction in this movie, "Dirty" Steve Stephens survived the Lincoln County War. After the conflict he left Lincoln announcing his intention to relocate to Denver Colorado. From there, like so many of the minor players in the Lincoln County War, he simply vanishes from history. His ultimate fate and final resting place remain unknown to this day.


    Patrick Wayne plays Pat Garrett. His legendary father, John Wayne, starred in Chisum (1970), another movie about the Lincoln County Wars of 1878 that featured Pat Garrett (played by Glenn Corbett) and Billy the Kid (Geoffrey Deuel).


    In the final battle preparations Kiefer Sutherland had to put on a "squib blood pack" vest underneath his clothes. The rig was supposed to be triggered by Sutherland himself by pressing a hidden button. The whole rig took an hour to set up. When it was time to shoot the scene, Sutherland got on his horse and accidentally pressed the trigger, popping all of the blood packs. Setting the rig up again took another hour.


    At night, the actors would actually get together to play music and sing. When they were drunk, they'd make Lou Diamond Phillips sing "La Bamba."


    A few members of the Hell's Angels Motorcycle Club were used as extras in the bar scene when the group goes to arrest Henry Hill. The members were also used as extra security during the shooting of the final battle due to the fact that crowds of onlookers were getting too big during filming.


    The term Regulators was applied to any private armed security force usually found in the employ of cattle, oil or railroad barons. Their primary function was to prevent the theft of their employer's property or, in a more sinister context, to serve as muscle to enforce their employer's will. They were most often veterans of the U. S. Civil War who either enjoyed that kind of work or simply had no other marketable skills.


    Randy Travis has an uncredited cameo as the Gatling Gun Operator


    The cast joked around all the time, including making fun of how Charlie Sheen pronounced "Billay."


    None of the movie's fight scenes were choreographed. The actors just improvised.


    In the film, there are six members in Billy's gang, the "Regulators." In real life, however, there were eleven, including George Coe who was a good friend of John Tunstall.


    James Horner wrote the film's original score but it was rejected for being too ethnic in Irish tone that the producers and director Christopher Cain wanted a more traditional Western score. Horner's score for this film has not been heard publicly.


    Fans often ask the actors if they really did peyote. It was actually cream of mushroom soup.


    Lou Diamond Phillips kept his buffalo skin jacket as a memento.


    When they were first learning to ride, the actors played "Tag" on horseback in the sand.


    Kiefer Sutherland was the youngest of the outlaws at 21.


    This is actress Alice Carter's first movie. These days, she's an acting teacher.


    Baker, the guy who gets knifed, is Jack Palance's son Cody Palance.


    Hamburger meat was used for McCloskey's brains.


    Lou Diamond Phillips is afraid of heights. That's why he moves so slowly on the 30-foot high cliff.


    Some of the actors rode so fast that Christopher Cain yelled at them for being dangerous. Lou Diamond Phillips recalled, "It was the one day when he sort of chastised us for being young."


    Casey Siemaszko plays Charlie, a pugilistic cowboy, who happens to be "handy" with his fists. In Of Mice and Men (1992), Casey Siemaszko plays Curley, a rancher's son, who is "handy" with his fists.


    This was the first movie where BOTH the more well known brothers Charlie Sheen and Emilio Estevez are CREDITED in the same film. Men at Work (1990) was the first where they both held equal billing as joint lead roles.


    Charles Myers who was the 1st Assistant Director of the film played the doomed character of Henry Hill. The movie credits list him as Gadeek.


    The production hired members of the Hell's Angels Motorcycle Club to help control crowds of onlookers while filming.


    Geoffrey Blake (McCloskey) acted alongside Emilio Estevez and Charlie Sheen again in Men at Work (1990).


    It was so cold in one scene, the stuntman playing Tunstall was hurt just hitting the frozen ground.


    The "bathtub" had to be dug by hand in the middle of New Mexico. Because it was winter, they had to pour buckets of hot water into it between takes.


    Spoilers
    When Murphy arrives at the siege of McSween's house, he is told that there are 30 men hiding in the house. While this number greatly exaggerates in the context of the film, thirty was closer to the number of Regulators that actually did take part in the Battle of Lincoln (the film depicts only five).


    When Terry O'Quinn's character Alex is shot and killed there are no squib marks on him. Apparently the producers felt the film was getting too bloody and they feared the movie would get an X rating.


    Dick Brewer gets killed by being shot in the stomach during the shootout with Buckshot Roberts. In reality, he had the top of his head blown off. However, everything else about the shootout is true to life, other than Doc being shot in the hand. This was actually George Coe who got his finger shot off.


    According to the documentary included in the special edition DVD, Casey Siemaszko's character "Charlie Bowdre" was a real historical figure who actually survived the gunfight at Alex McSween's house. He died in the movie; however, in real life he survived until a gunfight (at Stinking Springs, NM) that was depicted in Young Guns II: Blaze of Glory (1990). After his own death, a mere 7 months later, Billy was laid to rest next to Charlie and Tom O'Folliard in the old Fort Sumner Cemetery.


    Goofs
    Anachronisms
    In the final shootout, in a quick cut, one of the soldiers firing from behind the barricade appears to have aviator sunglasses on.


    The "sad ballad" that Billy whistles to let Texas Joe Grant know that he is in fact Billy the Kid is Seán Ó Riada's "Mná na h-Éireann" ("Women of Ireland"), written in the early 1960's.


    The men in the cantina sing "When Irish Eyes Are Smiling". The popular song was written 34 years after the events of the film took place. The composer of the music, Ernest R. Ball, was born the year of the same events.


    During the opening credit sequence at least two of the characters firing in the line pull Smith & Wesson Model 1899 Military & Police double action revolvers. As the title implies this type of pistol wasn't introduced till 1899, 21 years after the events portrayed in the film.


    As the Regulators are returning home from the New Year's dance, they shoot at a bunch of pheasants. Pheasants do not live in Lincoln County, NM, nor were they prevalent in the US during the Lincoln County War, 1878-1881. Pheasant pairs were released in 1881 in Oregon, and propagated from there.


    African-Americans and Caucasian-Americans are seen firing side by side in the battle at McSween's house. While the African-American units did have white members (the officer class), it is clear from the number and position of the white soldiers that they cannot all be officers. US Army units were not desegregated until 1948.


    When the Regulators are saying prayers before a meal Richard leads them in the Lord's Prayer starting "Our Father, who art in heaven". At the time the Lord's Prayer was recited as "Our Father, which art in heaven".


    Continuity
    When Billy hands Alex the picture of himself, Billy's thumb is by his head in the photo, When he drops his arm, you can clearly see he is holding the picture by the feet.


    The position of the three knives thrown at Billy.


    Doc's hat during the shoot-out at the brother by the river.


    Crew or equipment visible
    During the shoot-out with Buckshot Roberts, a lighting stand is clearly visible behind Dick Brewer as he takes refuge behind the wood pile.


    Hand of crew member visible making Dirty Steve's horse react to the gunshot.


    Factual errors
    At one point, a character remarks that none of the Regulators are 'over 21'. Even if you exclude the Regulators who were omitted from the film, this statement is completely false. Billy the Kid was the only one whose age was actually under 21. Chavez was 26 during the events of the film, Charlie was 30, Doc was 29, and Richard Brewer was 28.


    When Richard is reading "in so much as it pleaseth Almighty God..." at Tunstall's burial he is holding a Bible. The funeral rite and the words he is supposedly reading are not in the Bible, but in the Book of Common Prayer.


    Revealing mistakes
    Late in the movie, Doc stands up during the gunfight and bumps the brick chimney/piling and it bounces as though made of rubber.


    In the final battle, Billy is shown being shot left arm, when this happens you can see sparks come out from the arm from the rig that makes the explosion


    In the beginning of the movie when Billy is first taken in to the ranch it appears he's getting ready to shoot a pig. As he's taking aim you can see the sun shining through the barrel from behind him making it obvious that the gun is not loaded.


    Spoilers
    Continuity
    When Billy shoots Murphy at the end, the close up of Billy shows him with his left arm on his right using it for balance. After he shoots, there's a close up of Murphy with Billy in the background with his left arm in the air. The next close up of Billy has left arm still on his right using it for balance.


    Factual errors
    John Kinney and Lawrence Murphy did not die as is depicted in the final battle at the McSween house. Kinney was shot in the face by a bullet from Billy the Kid, but he survived and lived another 40 years after the event. Murphy was already sick from cancer at the time of the Lincoln County War, and died a few months after the Battle of Lincoln.


    Memorable Quotes


    Filming Locations
    Old Tucson Studios, Tucson, Arizona, USA (Various Locations)
    Bonanza Creek Ranch - 15 Bonanza Creek Lane, Santa Fe, New Mexico, USA
    Cerrillos, New Mexico, USA
    Galisteo, New Mexico, USA
    Ojo Caliente, New Mexico, USA
    Rancho de las Golondrinas - 334 Los Pinos Road, Santa Fe, New Mexico, USA
    Tesuque Pueblo, New Mexico, USA
    Tucson, Arizona, USA
    Sonoran Desert, Arizona, USA

    Joel Albert McCrea
    (November 5, 1905 – October 20, 1990) was an American actor
    whose career spanned 50 years and appearances in over 90 films.


    Appeared in many well liked westerns
    and a well deserved addition to our Guests of Honor

    6813777.jpg JOEL McCREA
    INFORMATION FROM IMDb


    Date of Birth
    5 November 1905,
    South Pasadena, California, USA


    Date of Death
    20 October 1990,
    Woodland Hills, Los Angeles, California, USA (pulmonary complications)


    Birth Name
    Joel Albert McCrea


    Nickname
    McFee


    Height 6' 2½" (1.89 m)


    Mini-Biography
    One of the great stars of American Westerns, and a very popular leading man in non-Westerns as well. He was born and raised in the surroundings of Hollywood and as a boy became interested in the movies that were being made all around. He studied acting at Pomona College and got some stage experience at the Pasadena Community Playhouse, where other future stars such as Randolph Scott, Robert Young, and Victor Mature would also get their first experience. He worked as an extra after graduation from the University of Southern California in 1928 and did some stunt work. In a rare case of an extra being chosen from the crowd to play a major role, McCrea was given a part in The Jazz Age. A contract at MGM followed, and then a better contract at RKO. Will Rogers took a liking to the young man (they shared a love of ranching and roping) and did much to elevate McCrea's career. His wholesome good looks and quiet manner were soon in demand, primarily in romantic dramas and comedies, and he became an increasingly popular leading man. He hoped to concentrate on Westerns, but several years passed before he could convince the studio heads to cast him in one. When he proved successful in that genre, more and more Westerns came his way. But he continued to make a mark in other kinds of pictures, and proved himself particularly adept at the light comedy of Preston Sturges, for whom he made several films. By the late Forties, his concentration focused on Westerns, and he made few non-Westerns thereafter. He was immensely popular in them, and most of them still hold up well today. He and Randolph Scott, whose career strongly resembles McCrea's, came out of retirement to make a classic of the genre, Sam Peckinpah's Ride the High Country (1962). Scott stayed retired thereafter; McCrea made a couple of appearances in small films afterwards, but was primarily content to maintain his life as a gentleman rancher. He was married for fifty-seven years to actress Frances Dee, who survived him.
    - IMDb Mini Biography By: Jim Beaver


    Spouse
    Frances Dee (20 October 1933 - 20 October 1990) (his death) (3 children)


    Trivia
    Father, with actress Frances Dee, of actor Jody McCrea.


    Inducted into the Hall of Great Western Performers of the National Cowboy and Western Heritage Museum in 1969.


    A big sight gag in Sullivan's Travels (1941) was the juxtaposition of the big McCrea with his leading lady, Veronica Lake, who apparently was 16 inches shorter. For some shots of the film, however, Lake had to stand on a box so their heads could be seen in the same shot.
    He was infamously modest about his own acting abilities, often bordering on a soft-spoken contempt.


    Attended high school with future director Jacques Tourneur who would later direct him in Stars in My Crown (1950) (one of McCrea's personal favorites) and a pair of 1955 releases, Wichita (1955) and Stranger on Horseback (1955).
    Besides Jody McCrea, he and Frances Dee had two more sons: David and Peter


    Katharine Hepburn was a friend of McCrea's and McCrea's wife Frances Dee. Hepburn also felt that McCrea was one of the best actors she had ever worked with and was always disappointed that his career wasn't more successful (she thought he should have been ranking alongside Spencer Tracy or Humphrey Bogart).
    Very well-respected as a horseman, he was regarded as one of the two best riders in Western films along with Ben Johnson, who had been a real cowboy.


    In 1930, he lived with his parents at 243 S. Rockingham Avenue, Los Angeles.



    In 1920, he lived with his parents at 7755 Hollywood Boulevard, Los Angeles.


    His father, Thomas P. McCrea , was a secretary for the Los Angeles gas and electric company. His mother, Lou Whipple McCrea, was a professional Christian Science practitioner.
    Biography in: "The Scribner Encyclopedia of American Lives". Volume Two, 1986-1990, pages 574-575. New York: Charles Scribner's Sons, 1999.


    The grandson of a western stagecoach driver who had fought against the Apaches, McCrea raised his own horses, was a passionate outdoors man and large-scale rancher, invested wisely in livestock and real estate, was a staunch Republican and frugal millionaire.


    He was awarded 2 Stars on the Hollywood Walk of Fame for Motion Pictures at 1719 Vine Street and for Radio at 6241 Hollywood Boulevard in Hollywood, California.


    Was a staunch conservative Republican.


    Was briefly engaged to comedic supporting actress Joyce Compton in the late 1920s but she broke off the engagement.


    Was a Boy Scout.


    McCrea's first encounter with movie-making came on a Ruth Roland serial which unfortunately was saddled with a leading man who could not ride well McCrea, an outstanding horseman since he was nine, doubled for the actor at $2.50 a day and was given a job wrangling for the rest of the shoot.


    Katherine DeMille and Douglas Fairbanks, Jr., were classmates of McCrea,.


    A very young Joel McCrea was advised by Will Rogers to put the money he made from acting into real estate, a venture that made the novice actor a millionaire.


    Joel McCrea soon realized after losing the lead for "The Real Glory" to Gary Cooper that as long Samuel Goldwyn had both Cooper and him under contract, he would always come out second in the studio's choice roles. When he refused to resign with Goldwyn, the producer warned him that he'd "never work in this town again!" The Goldwyn always referred to the actor as "Joel McCreal." McCrea signed with Cecil B. DeMille for "Union Pacific" at Paramount,.


    He died on his 57th wedding anniversary.


    Among movies that McCrea turned down: "Spitfire" with Katharine Hepburn, "The Impatient Years," "The Postman Always Rings Twice," "Intruder in the Dust," "The Will Rogers Story.".


    McCrea met the real Wyatt Earp in Hollywood in 1928 and ended up playing the iconic lawman in 1955's "Wichita." He later played Bat Masterson in "The Gunfight at Dodge City" in 1959.


    Bette Davis liked McCrea very much and pressed him to co-star with her in an adaptation of Edith Wharton's "Ethan Frome." McCrea thought it too downbeat to be successful. A disappointed Davis called him "a cowboy psychiatrist" and referred to him as that from then on.


    McCrea turned down the lead in "The Impatient Years," which would have reunited him with his "The More the Merrier" co-stars, Jean Arthur and Charles Coburn. He refused to play a serviceman of any type, telling a reporter, "If I'm too old to be called, I was too old for that kind of show.".


    McCrea admitted late in life that he made much more money in real estate investments than he ever did in movies.


    Joel is the grandfather of actor/producer Wyatt McCrea.


    Personal Quotes
    I have no regrets, except perhaps one: I should have tried harder to be a better actor.
    People say I'm a one-note actor, but the way I figure it, those other guys are just looking for that one right note.


    I liked doing comedies, but as I got older I was better suited to do Westerns. Because I think it becomes unattractive for an older fellow trying to look young, falling in love with attractive girls in those kinds of situations ... Anyway, I always felt so much more comfortable in the Western. The minute I got a horse and a hat and a pair of boots on, I felt easier. I didn't feel like I was an actor anymore. I felt like I was the guy out there doing it. (1978)


    When it came out the studio didn't sell it. But the critics grabbed onto it. Neither Randy or I had ever gotten such criticism. We were surprised, though we knew it wasn't a regular shoot-'em-up.
    I really enjoyed Ride the High Country (1962).
    Both Randy and I were washed-up actors playing washed-up lawmen.
    After 87 pictures in 47 years, I knew when to quit.


    Cowboys are not beyond swearing, but we used it if a horse stepped on a foot.


    I don't believe in anti-heroes.
    Duke Wayne played a mean guy but never an anti-hero.


    Salary
    The More the Merrier (1943) $10,000 per week with 10 week guarantee


    Filmography
    Actor
    1976 Mustang Country ...Dan
    1970 Sioux Nation
    1970 Cry Blood, Apache ...Pitcalin as an Older Man
    1966 The Young Rounders
    1962 Ride the High Country ...Steve Judd
    1960 The Crowning Experience ...Prologue narrator
    1959-1960 Wichita Town (TV Series) ...Marshal Mike Dunbar / Mike Dunbar
    - Sidekicks (1960) ... Marshal Mike Dunbar
    - The Legend of Tom Horn (1960) ... Marshal Mike Dunbar
    - Paid in Full (1960) ... Marshal Mike Dunbar
    - Second Chance (1960) ... Marshal Mike Dunbar
    - The Hanging Judge (1960) ... Marshal Mike Dunbar
    in all 26 episodes
    1959 The Gunfight at Dodge City ...Bat Masterson
    1958 Fort Massacre ...Vinson
    1958 Cattle Empire ...John Cord
    1957 The Tall Stranger ...Ned Bannon
    1957 Gunsight Ridge ...Mike Ryan
    1957 Trooper Hook ...Sgt. Clovis Hook
    1957 The Oklahoman ...Dr. John M. Brighton
    1956 The First Texan ...Sam Houston
    1955 Wichita ...Wyatt Earp
    1955 Stranger on Horseback ...Judge Richard 'Rick' Thorne
    1954 Black Horse Canyon ...Del Rockwell
    1954 Border River ...Clete Mattson
    1953 Rough Shoot ...Taine
    1953 The Lone Hand ...Zachary Hallock
    1952 The San Francisco Story ...Rick Nelson
    1951 Cattle Drive ...Mathews
    1951 Hollywood Story ...Joel McCrea
    1950 Frenchie ...Sheriff Tom Banning
    1950 Saddle Tramp ...Chuck Conner
    1950 Stars in My Crown ...Josiah Doziah Gray
    1950 The Outriders ...Will Owen
    1949 Colorado Territory ...Wes McQueen
    1949 South of St. Louis ...Kip Davis
    1948 They Passed This Way ...Ross McEwen
    1947 Ramrod ...Dave Nash
    1946 The Virginian ...The Virginian
    1945 The Unseen ...David Fielding
    1944 The Great Moment ...William Thomas Green Morton
    1944 Buffalo Bill ...William Frederick 'Buffalo Bill' Cody
    1943 The More the Merrier ...Joe Carter
    1942 The Palm Beach Story ...Tom Jeffers
    1942 The Great Man's Lady ...Ethan Hoyt
    1941 Sullivan's Travels ...John L. Sullivan
    1941 Reaching for the Sun ...Russ Eliot
    1940 Foreign Correspondent ...John Jones aka Huntley Haverstock
    1940 Primrose Path ...Ed Wallace
    1940 He Married His Wife ...T.H. Randall
    1939 Espionage Agent ...Barry Corvall
    1939 Melody of Youth ...Peter
    1939 Union Pacific ...Jeff Butler
    1938 Youth Takes a Fling ...Joe Meadows
    1938 Three Blind Mice ...Van Dam Smith
    1937 Wells Fargo ...Ramsay MacKay
    1937 Dead End ...Dave
    1937 Woman Chases Man ...Kenneth Nolan
    1937 Internes Can't Take Money ...James Kildare
    1936 Banjo on My Knee ...Ernie Holley
    1936 Come and Get It ...Richard Glasgow
    1936 Manhattan Madness ...George Melville
    1936 Two in a Crowd ...Larry Stevens
    1936 These Three ...Dr. Joseph Cardin
    1935 Splendor ...Brighton Lorrimore
    1935 Barbary Coast ...Jim Carmichael
    1935 Woman Wanted ...Tony
    1935 Our Little Girl ...Dr. Donald Middleton
    1935 Private Worlds ...Dr. Alex MacGregor
    1934 The Richest Girl in the World ...Anthony 'Tony' Travers
    1934 Half a Sinner ...John Adams
    1934 Gambling Lady ...Garry Madison
    1933 Chance at Heaven ...Blackstone 'Blacky' Gorman
    1933 One Man's Journey ...Jimmy Watt
    1933 Bed of Roses ...Dan
    1933 The Silver Cord ...David Phelps
    1933 Scarlet River ...Joel McCrea (uncredited)
    1932 Rockabye ...Jacobs Van Riker Pell
    1932 The Sport Parade ...Sandy Brown
    1932 The Most Dangerous Game ...Robert 'Bob' Rainsford
    1932 Bird of Paradise ...Johnny Baker
    1932 The Lost Squadron ...Red
    1932 Business and Pleasure ...Lawrence Ogle
    1931 Girls About Town ...Jim Baker
    1931 The Common Law ...John Neville
    1931 Born to Love ...Barry Craig
    1931 Kept Husbands ...Richard 'Dick' Brunton
    1931 Once a Sinner ...Tommy Mason
    1930 Lightnin' ...John Marvin
    1930 The Silver Horde ...Boyd Emerson
    1930 Framed ...Waiter at the Casino Club (uncredited)
    1929 Dynamite ...Marco - Her Boy Friend
    1929 So This Is College ...Bruce Nolan (uncredited)
    1929 The Single Standard ...Blythe - One of the Philandering Men (uncredited)
    1929 The Divine Lady ...Extra (uncredited)
    1929 The Jazz Age ...Todd Sayles
    1928 Freedom of the Press ...Undetermined Secondary Role (uncredited)
    1928 Dead Man's Curve ...Undetermined Secondary Role (uncredited)
    1928 The Five O'Clock Girl ...Oswald
    1927 The Enemy ...Extra (uncredited)
    1927 The Fair Co-Ed ...Student (uncredited)

    There Was a Crooked Man... is a 1970 western starring
    Kirk Douglas and Henry Fonda and directed by Joseph L. Mankiewicz.

    This was the only western made by Mankiewicz, director of such notable films as
    All About Eve, Guys and Dolls and Cleopatra.
    It was written by David Newman and Robert Benton,
    their first script after Bonnie and Clyde.


    Reception
    Vincent Canby of The New York Times was generally positive:
    "Although There Was A Crooked Man...
    is rather low-keyed and takes its own sweet time to reveal itself,
    it is a movie of the sort of taste, intelligence and somewhat bitter humor
    I associate with Mr. Mankiewicz who, in real life, is one of America's most sophisticated,
    least folksy raconteurs, especially of stories about the old Hollywood.




    User Review


    Uneven western that is difficult to recommend
    3 October 2001 | by roegrocks (China)

    There Was a Crooked Man... is a 1970 western starring
    Kirk Douglas and Henry Fonda and directed by Joseph L. Mankiewicz.

    This was the only western made by Mankiewicz, director of such notable films as
    All About Eve, Guys and Dolls and Cleopatra.
    It was written by David Newman and Robert Benton,
    their first script after Bonnie and Clyde.


    Reception
    Vincent Canby of The New York Times was generally positive:
    "Although There Was A Crooked Man...
    is rather low-keyed and takes its own sweet time to reveal itself,
    it is a movie of the sort of taste, intelligence and somewhat bitter humor
    I associate with Mr. Mankiewicz who, in real life, is one of America's most sophisticated,
    least folksy raconteurs, especially of stories about the old Hollywood.




    User Review


    Uneven western that is difficult to recommend
    3 October 2001 | by roegrocks (China)

    THERE WAS A CROOKED MAN


    DIRECTED BY JOSEPH L. MANKIEWICZ
    WARNER BROS.



    For continuity, all discussion
    please post here:-
    Kirk Douglas- There Was a Crooked Man


    INFORMATION FROM IMDb

    Plot Summary
    Charm, intelligence and success in criminal career doesn't prevent Paris Pitman Jr. to start doing ten years in prison, in the middle of the Arizona desert. However, those years should pass quickly because of a $500,000 loot previously stashed away. New idealistic warden would only make Pitman think of getting his fortune even sooner. He starts to manipulate everyone to achieve his goal.
    Written by Dragan Antulov


    Cast
    Kirk Douglas ... Paris Pitman, Jr.
    Henry Fonda ... Woodward W. Lopeman
    Hume Cronyn ... Dudley Whinner
    Warren Oates ... Floyd Moon
    Burgess Meredith ... The Missouri Kid
    John Randolph ... Cyrus McNutt
    Lee Grant ... Mrs. Bullard
    Arthur O'Connell ... Mr. Lomax
    Martin Gabel ... Warden LeGoff
    Michael Blodgett ... Coy Cavendish
    C.K. Yang ... Ah-Ping
    Alan Hale Jr. ... Tobaccy (as Alan Hale)
    Victor French ... Whiskey
    Claudia McNeil ... Madam
    Bert Freed ... Skinner
    Jeanne Cooper ... Prostitute
    Barbara Rhoades ... Miss Jessie Brundidge
    Gene Evans ... Col Wolff
    Pamela Hensley ... Edwina
    J. Edward McKinley ... The Governor
    Karl Lukas ... Otis
    Larry D. Mann ... Harry
    Ann Doran ... Mrs. Lomax
    Paul Prokop... Paul Prokop
    Bart Burns ... Dr. Loomis
    Danny Borzage Danny Borzage ... Prisoner (uncredited)
    Boyd 'Red' Morgan ... Hobbs (uncredited)
    and many more...


    Directed
    Joseph L. Mankiewicz


    Writing Credits
    David Newman ... (written by) &
    Robert Benton ... (written by)


    Produced
    C.O. Erickson ... executive producer
    Joseph L. Mankiewicz ... producer


    Music
    Charles Strouse


    Cinematography
    Harry Stradling Jr.


    Trivia
    The "enormous" dressing trailer for Kirk Douglas stood just outside the location's prison set. Reportedly, it had a white picket fence, a mailbox, two flower boxes and a green lawn planted in front with a water fountain and lounge chairs.


    Final film of Byron Foulger.


    Final film of James Seay.


    In the climactic prison uprising, Barbara Rhoades is last seen wearing a corset (with amply jiggling cleavage), a decorative hat and one elbow-length glove. However, interviews with Rhoades, and an actress who'd turned down the role, reveal that the scene went further and Rhoades was filmed virtually nude. At least one still photo (apparently from the movie) shows her nude from the waist up, wearing the same hat and elbow-length glove mentioned above (she turned down a proposed "Playboy" pictorial). In a pre-release interview, Rhoades told interviewer Dan Lewis that she didn't realize her scene would be so "explicit" until the day of shooting. Her character reportedly flees "after her clothes are torn off in a prison scene and she races across the desert in her birthday suit". Eileen O'Neill was offered the role but turned it down. "When I read the script, my character is ravaged by the revolting prisoners and they tear her clothes off. She then had to run nude from the prison to an outside area lit with floodlights." Even co-star Michael Blodgett "excitedly" told Hollywood gossip columnist Marilyn Beck, "It's a prison story, wild and new . . . man, such nudity!" Why the explicit nudity was deleted is unexplained, and the footage is presumed lost. By today's standards, what remains is fairly tame: a couple glimpses of the bare backside of Kirk Douglas, a glimpse of a bare breast here and there and some mildly risqué drawings. Promoted as a "cynical western," the film was released on Christmas Day 1970. It did poorly at the holiday box office.


    The prison set took seven weeks to build. When construction began, it was snowing. When it ended, the temperature was 100 degrees. Upon completion of filming, the entire set had to be removed and the area it occupied restored to its original pristine state, so that no trace would be left.


    Much of the filming was done in the Joshua Tree National Monument, 50 miles northeast of Indio, California. This was the first time a movie was allowed to be filmed in the 500,000-acre National Park. The location was so remote that a wagon-rutted road had to be bulldozed and widened for a distance of three miles to provide vehicular access.


    The poem recited by the schoolteacher at the dedication is "Invictus" written in 1875 by William Ernest Henley.


    Warner Brothers' front office was very worried about this film. It was shot over a five-month period in the first half of 1969, but it was well over a year before it was given any commercial showings. Like Joseph L. Mankiewicz's previous film, The Honey Pot (1967), it opened in Britain some two months before the US, in late 1970. According to Mankiewicz's biographer, Kenneth Geist, his preferred version of the film ran to 165 minutes; however, Warners objected to this and re-cut the film, to his great irritation, to a more manageable 126 minutes. One notable casualty of this re-cutting was the prominently-billed Lee Grant, a very well-known actress at the time, whose appearance is now barely a couple of minutes in length.


    A realistic 1880s territorial prison replica was constructed on four acres in the high-desert country of the Joshua Tree National Monument. Designed by Edward Carrere, Oscar-winning designer of such movies as The Wild Bunch (1969), it was one of the most massive location sets ever built. The prison's 20-foot-high, four-feet-thick walls enclosed 14 buildings, including a guards' barracks, warden's quarters, mess hall, kitchen, hospital, blacksmith shop, a mule shed, corral, seven guard towers, a solitary confinement cell and a gallows. Unlike a typical movie set, the buildings had to be roofed because aerial footage of the location would be filmed. Some 80 loads of rocks were trucked in (and later removed) to create the enormous hard-labor rock pile in the movie. Since no indigenous plants could be harmed, thousands of desert plants also had to be trucked to the location.


    Twelve rattlesnakes were used for a key scene but failed to hiss on cue. The hissing had to be dubbed in during post-production.


    Hume Cronyn was diagnosed with optic cancer, which required the surgical removal of an eye. Cronyn volunteered to work past 5 p.m. and revamp his shooting schedule so he could finish up his role as soon as possible. Although the situation was very stressful for director Joseph L. Mankiewicz, Cronyn handled the situation very professionally.


    At an early stage, Joseph L. Mankiewicz was hoping to get Warren Beatty and John Wayne for the two leads.


    The construction of the vast prison set cost $300,000.


    Goofs
    Continuity
    After escaping from prison, Pitman visits the widow Bullard and leaves the prison mule in her corral and takes a horse. After being bitten by the snake and dying, the warden takes his body back on the horse he rode, which now is a mule again.


    One of the escaping prisoners is shot from behind and falls on his stomach. Although there is an exit wound in his right abdomen, when he falls, there's apparently no entrance wound.


    The angel that Whinner draws on the wall of their cell looks slightly different at the end of the scene than the beginning.


    During the first riot scene, Dudley and Cyrus try to help Coy Cavendish, who is handcuffed to a post. They appear right next to him, then - in a wide shot - 20 meters away from him in the center of the fight, then again right next to him.


    Memorable Quote


    Filming Locations
    Joshua Tree, California, USA
    La Joya, New Mexico, USA
    Laramie Street, Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA
    Mojave Desert, Arizona, USA


    Watch the Movie


    [extendedmedia]

    [/extendedmedia]

    THERE WAS A CROOKED MAN


    DIRECTED BY JOSEPH L. MANKIEWICZ
    WARNER BROS.



    INFORMATION FROM IMDb

    Plot Summary
    Charm, intelligence and success in criminal career doesn't prevent Paris Pitman Jr. to start doing ten years in prison, in the middle of the Arizona desert. However, those years should pass quickly because of a $500,000 loot previously stashed away. New idealistic warden would only make Pitman think of getting his fortune even sooner. He starts to manipulate everyone to achieve his goal.
    Written by Dragan Antulov


    Cast
    Kirk Douglas ... Paris Pitman, Jr.
    Henry Fonda ... Woodward W. Lopeman
    Hume Cronyn ... Dudley Whinner
    Warren Oates ... Floyd Moon
    Burgess Meredith ... The Missouri Kid
    John Randolph ... Cyrus McNutt
    Lee Grant ... Mrs. Bullard
    Arthur O'Connell ... Mr. Lomax
    Martin Gabel ... Warden LeGoff
    Michael Blodgett ... Coy Cavendish
    C.K. Yang ... Ah-Ping
    Alan Hale Jr. ... Tobaccy (as Alan Hale)
    Victor French ... Whiskey
    Claudia McNeil ... Madam
    Bert Freed ... Skinner
    Jeanne Cooper ... Prostitute
    Barbara Rhoades ... Miss Jessie Brundidge
    Gene Evans ... Col Wolff
    Pamela Hensley ... Edwina
    J. Edward McKinley ... The Governor
    Karl Lukas ... Otis
    Larry D. Mann ... Harry
    Ann Doran ... Mrs. Lomax
    Paul Prokop... Paul Prokop
    Bart Burns ... Dr. Loomis
    Danny Borzage ... Prisoner (uncredited)
    Boyd 'Red' Morgan ... Hobbs (uncredited)
    and many more...


    Directed
    Joseph L. Mankiewicz


    Writing Credits
    David Newman ... (written by) &
    Robert Benton ... (written by)


    Produced
    C.O. Erickson ... executive producer
    Joseph L. Mankiewicz ... producer


    Music
    Charles Strouse


    Cinematography
    Harry Stradling Jr.


    Trivia
    The "enormous" dressing trailer for Kirk Douglas stood just outside the location's prison set. Reportedly, it had a white picket fence, a mailbox, two flower boxes and a green lawn planted in front with a water fountain and lounge chairs.


    Final film of Byron Foulger.


    Final film of James Seay.


    In the climactic prison uprising, Barbara Rhoades is last seen wearing a corset (with amply jiggling cleavage), a decorative hat and one elbow-length glove. However, interviews with Rhoades, and an actress who'd turned down the role, reveal that the scene went further and Rhoades was filmed virtually nude. At least one still photo (apparently from the movie) shows her nude from the waist up, wearing the same hat and elbow-length glove mentioned above (she turned down a proposed "Playboy" pictorial). In a pre-release interview, Rhoades told interviewer Dan Lewis that she didn't realize her scene would be so "explicit" until the day of shooting. Her character reportedly flees "after her clothes are torn off in a prison scene and she races across the desert in her birthday suit". Eileen O'Neill was offered the role but turned it down. "When I read the script, my character is ravaged by the revolting prisoners and they tear her clothes off. She then had to run nude from the prison to an outside area lit with floodlights." Even co-star Michael Blodgett "excitedly" told Hollywood gossip columnist Marilyn Beck, "It's a prison story, wild and new . . . man, such nudity!" Why the explicit nudity was deleted is unexplained, and the footage is presumed lost. By today's standards, what remains is fairly tame: a couple glimpses of the bare backside of Kirk Douglas, a glimpse of a bare breast here and there and some mildly risqué drawings. Promoted as a "cynical western," the film was released on Christmas Day 1970. It did poorly at the holiday box office.


    The prison set took seven weeks to build. When construction began, it was snowing. When it ended, the temperature was 100 degrees. Upon completion of filming, the entire set had to be removed and the area it occupied restored to its original pristine state, so that no trace would be left.


    Much of the filming was done in the Joshua Tree National Monument, 50 miles northeast of Indio, California. This was the first time a movie was allowed to be filmed in the 500,000-acre National Park. The location was so remote that a wagon-rutted road had to be bulldozed and widened for a distance of three miles to provide vehicular access.


    The poem recited by the schoolteacher at the dedication is "Invictus" written in 1875 by William Ernest Henley.


    Warner Brothers' front office was very worried about this film. It was shot over a five-month period in the first half of 1969, but it was well over a year before it was given any commercial showings. Like Joseph L. Mankiewicz's previous film, The Honey Pot (1967), it opened in Britain some two months before the US, in late 1970. According to Mankiewicz's biographer, Kenneth Geist, his preferred version of the film ran to 165 minutes; however, Warners objected to this and re-cut the film, to his great irritation, to a more manageable 126 minutes. One notable casualty of this re-cutting was the prominently-billed Lee Grant, a very well-known actress at the time, whose appearance is now barely a couple of minutes in length.


    A realistic 1880s territorial prison replica was constructed on four acres in the high-desert country of the Joshua Tree National Monument. Designed by Edward Carrere, Oscar-winning designer of such movies as The Wild Bunch (1969), it was one of the most massive location sets ever built. The prison's 20-foot-high, four-feet-thick walls enclosed 14 buildings, including a guards' barracks, warden's quarters, mess hall, kitchen, hospital, blacksmith shop, a mule shed, corral, seven guard towers, a solitary confinement cell and a gallows. Unlike a typical movie set, the buildings had to be roofed because aerial footage of the location would be filmed. Some 80 loads of rocks were trucked in (and later removed) to create the enormous hard-labor rock pile in the movie. Since no indigenous plants could be harmed, thousands of desert plants also had to be trucked to the location.


    Twelve rattlesnakes were used for a key scene but failed to hiss on cue. The hissing had to be dubbed in during post-production.


    Hume Cronyn was diagnosed with optic cancer, which required the surgical removal of an eye. Cronyn volunteered to work past 5 p.m. and revamp his shooting schedule so he could finish up his role as soon as possible. Although the situation was very stressful for director Joseph L. Mankiewicz, Cronyn handled the situation very professionally.


    At an early stage, Joseph L. Mankiewicz was hoping to get Warren Beatty and John Wayne for the two leads.


    The construction of the vast prison set cost $300,000.


    Goofs
    Continuity
    After escaping from prison, Pitman visits the widow Bullard and leaves the prison mule in her corral and takes a horse. After being bitten by the snake and dying, the warden takes his body back on the horse he rode, which now is a mule again.


    One of the escaping prisoners is shot from behind and falls on his stomach. Although there is an exit wound in his right abdomen, when he falls, there's apparently no entrance wound.


    The angel that Whinner draws on the wall of their cell looks slightly different at the end of the scene than the beginning.


    During the first riot scene, Dudley and Cyrus try to help Coy Cavendish, who is handcuffed to a post. They appear right next to him, then - in a wide shot - 20 meters away from him in the center of the fight, then again right next to him.


    Memorable Quote


    Filming Locations
    Joshua Tree, California, USA
    La Joya, New Mexico, USA
    Laramie Street, Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA
    Mojave Desert, Arizona, USA


    Watch the Movie


    [extendedmedia]

    [/extendedmedia]